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THE PHOTOGRAPHIC EYE

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CLASS VARIATIONS<br />

28<br />

than continually striving to break new ground. One alternative to assignments<br />

from the teacher is to let each student commit in advance to a topic<br />

or theme and then go out to photograph it. This leaves considerable room<br />

for individual interests, while preserving a coherent structure and clear<br />

expectations.<br />

There are a number of ways to adjust this core class structure according to<br />

your particular circumstances. If your class meets five days a week, you<br />

might "double up" with two assignments and two crits per week — though<br />

this may be too demanding. Alternatively, you might schedule, say, crit sessions<br />

for Monday, an assignment shooting session (many can be conducted<br />

in or around the school building) for Tuesday, research projects for Wednesday,<br />

darkroom work for Thursday and critiques of other photographers' work<br />

for Friday.<br />

If your darkroom facilities are limited, you might organize the class into<br />

several groups, having one group use the darkroom while another is doing<br />

research or crits. If so, we recommend re-organizing the groups at intervals,<br />

so more advanced students can help others. If you also teach other art classes,<br />

you might arrange for groups of two or three students to use the darkroom,<br />

during other periods. If you don't have access to a darkroom at all, you can<br />

make do without one, thought this will add to the expense and diminish the<br />

learning experience. Perhaps raising money to purchase darkroom equipment<br />

— through exhibits and sales of class photographs — could become a<br />

collective project.<br />

Other possible variations include:<br />

• using class time to mount prints, making extensive use of the "cropping<br />

exercise" (in Chapter 3 , page 65), either privately or in front of the class.<br />

• arranging for a drama class to provide models (perhaps in stage dress).<br />

• concentrating on playground activities if the photography class coincides<br />

with an elementary recess.<br />

• having photography students take an active role in producing the yearbook<br />

(as already noted), perhaps doing senior portraits as well as candids<br />

and sports photography.<br />

• mounting periodic exhibits, possibly on an exchange basis with other<br />

schools.<br />

• taking field trips on foot in the school vicinity during class periods.

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