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THE PHOTOGRAPHIC EYE

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STUDENT ROLE<br />

CRITIQUING<br />

24<br />

Students are required to shoot one roll of 36 exposures — entirely devoted<br />

to the assignment — per week. A general rule for assignments is: the more<br />

specific, the better. Most students will want very clear guidelines, at least at<br />

first. The more creative students won't need that — they'll be creative anyway.<br />

The primary goal of the assignments is to focus students' attention on<br />

subjects they might otherwise overlook. This trains their photographic vision<br />

and gets the process of "learning to see with a camera" going much more<br />

quickly than with a more laissezfaire approach. In addition, having students<br />

work on the same assignment at the same time makes critique, or "crit," sessions<br />

easier and more beneficial. It's very important, therefore, that students<br />

do shoot what is assigned. (You might point out that if an assignment were<br />

from a client, they'd have to get the right shot or lose the job.)<br />

Once the next assignment has been clearly presented, the students turn in<br />

their finished prints from the previous assignment. All prints are required to<br />

conform to a standard format. First and foremost, they must be a full 8" x<br />

10" (20.3 cmx 25.4cm), no elongated shapes, which imposes a healthy compositional<br />

discipline. They must be mounted on some appropriate cardboard<br />

stock, so they won't curl or fall over during crits, and trimmed flush with the<br />

edges of the print (no borders). You may settle on a different standard, such<br />

as white, 1-inch (2.5 cm) borders on all sides, but it is important that a clear<br />

standard be established. This is both good training and an important means<br />

of equalizing factors that might influence judging (such as the presence or<br />

absence of borders).<br />

The prints are arranged — anonymously — at random along the wall, in full<br />

view of the entire class. Students are then called on to discuss value, focus,<br />

presentation and other technical issues (one photo for each student).<br />

Once each has been discussed, students take turns arranging the photographs<br />

from most successful to least successful, as follows:<br />

• The first student called on selects what he or she considers the most successful<br />

print and places it at the head of the line.<br />

• The second student selects the second-most successful print and places<br />

it next in line. Each student may overrule any previous selection as well.<br />

• This continues until all the prints have been ranked.

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