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THE PHOTOGRAPHIC EYE

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Focusing Ring The ring on a lens<br />

which moves the lens forward and<br />

back, causing objects to go in and out<br />

of focus at the film plane.<br />

Ground-Glass Focusing Screen A<br />

piece of glass with a matte finish onto<br />

which the camera projects the<br />

same image as it is projecting at the<br />

film plane, permitting the photographer<br />

to compose and focus.<br />

Highlights Bright areas of a<br />

photograph or subject.<br />

Interchangeable Lens Any lens that<br />

may be removed from the camera<br />

body and, therefore, exchanged for<br />

another.<br />

Mass The apparent weight of an object<br />

in a photograph, as indicated by<br />

its size, tone (dark objects generally<br />

appear more massive), position and<br />

shadow.<br />

Negative Space The space between<br />

one object and the frame of a photograph,<br />

or between two or more objects<br />

within the frame.<br />

Objective (adjective) Factual; not<br />

influenced by a person's feelings or<br />

opinions.<br />

Point of Interest The object in a<br />

photograph that attracts the most attention.<br />

Ideally the point of interest<br />

is also the primary subject (what the<br />

photograph is "about"), but this is<br />

not always the case.<br />

Positioning Placing an object<br />

within the frame of a photograph.<br />

Generally this is done by moving the<br />

camera rather than by moving the<br />

object.<br />

Positive Space The space filled by<br />

an object.<br />

280 The Photographic Eye<br />

Proportion The relative sizes of two<br />

or more objects within the frame of<br />

a photograph. (Proportion may also<br />

refer to the contours of a single subject<br />

which, if distorted, may appear<br />

to be "out of proportion.")<br />

Relation Anything that links two or<br />

more objects together, such as a<br />

similarity, contrast or contact between<br />

them.<br />

Shutter A mechanical device which<br />

uncovers a single frame of film for<br />

a specified period of time so light<br />

traveling through a lens can produce<br />

an image.<br />

Shutter Release A mechanical or<br />

electrical button which causes the<br />

shutter to open.<br />

Shutter Speed The time that a shutter<br />

remains open, expressed in fractions<br />

of a second (i.e. 1/125 of a second,<br />

commonly referred to simply as<br />

125).<br />

Split-Image Focusing Screen A<br />

piece of glass (generally a small circle<br />

in the viewfinder) onto which two<br />

fragments of an image are projected<br />

by the camera's lens (or lenses). When<br />

the two fragments are aligned, the<br />

image is in focus.<br />

Static Balance A composition in<br />

which the visual elements are<br />

arranged to produce a sense of harmony<br />

with no suggestion of motion.<br />

Subjective (adjective) Dependent<br />

on a person's values, tastes or<br />

opinions.<br />

Telephoto Lens Any lens that<br />

reproduces a smaller than normal<br />

portion of a given scene, so objects<br />

seem closer and larger than they actually<br />

are.<br />

Value The range of dark and light<br />

tones in a photograph.<br />

Viewfinder The camera's "window,"<br />

which shows the photographer<br />

the image that will appear on the<br />

film. Many viewfinders also indicate<br />

the amount of light entering the lens,<br />

the shutter speed and other technical<br />

data.<br />

Visual Elements All the basic components<br />

of an image. An element is<br />

a fundamental unit, such as line,<br />

which cannot be broken down into<br />

smaller parts.<br />

Visual Harmony Any repeating<br />

visual element, such as a line or circle<br />

or a larger pattern of shapes and<br />

values. Visual harmonies are used to<br />

add interest and structure to<br />

photographs.<br />

Weighting Positioning key subjects<br />

toward one side or the top or bottom<br />

of a photograph.<br />

Zoom Lens Any lens of variable<br />

focal length, i.e. with an adjustable<br />

angle-of-view. A 35-150mm zoom<br />

lens, for example, provides the same<br />

focal-lengths as a 35mm, a 50mm and<br />

a 150mm lens, plus all the focal<br />

lengths in between.

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