THE PHOTOGRAPHIC EYE

fixed lens, 36
fixer, 228-229, 231,238
flash, 22, 203,267-269
using, 268-269
flash-and-blur effect, 268
flash fill, 247, 268
flashlight, as light source, 212
focal length, of lens, 126, 138, 140
increasing, 140
focal point, 124, 126
focus, 23,70, 73
focusing, 125-126, 176
in advance, 198
and portraits, 181
focusing ring, 46-47, 73
fog:
on negative, 241
on paper, 283
foreground, elongated (exercise), 224
frame, mat, 64
freezing, 129, 132
f/stop, 44, 47. See also aperture
fujichrome (color film), 251, 271
glasses, bottles and (exercise), 162
glazer, 238
grab shots, 181-182, 198
gray card ,122
grain (of film), 37-38, 227, 236, 271
grain focuser, 236-237
grain structure (color film), 251
grease pencil, 40, 234
great depression, photographic survey
of, 22
group f.64, 152
Haas, Ernst, 23
half-stop, 115
halftone, 270
hand-held light meter, 121, 220
hands (exercise), 186
harmony, visual, 107
head (of tripod), 266
high contrast print:
procedures, 259-260
tools, 258-259
Hine, Lewis, 13-14,28
Hockney, David, 25
hot shoe, 43
hubcaps (exercise), 156
imagery, and color film, 245-247
image tone, 232
implied lines, 62-63
incident light, 120-121
indicator stop bath, 228
interchangeable lens, 36
interneg, 249
interval timer, 228
ISO, 83-84
and color, 248
journalistic photography, 269. See also
photojournalism
kaleidoscope composite print,
procedures, 256-257
Karsh, Yousef, 23
Kertesz, Andre, 21
kodachrome (color film), 251, 271
kodak camera, 17
Land, Edwin, 22
landscape, 197
exercise, 170
Lange, Dorothea, 22
latitude (of photo), 270-271
leader, film, 229
leaves (exercise), 100
leg releases (tripod), 266
leica camera, 17
lens, lenses (camera), 46, 73
and angle of view, 130 131
choosing, 38-39
fast, 139
fixed focal length, 36, 142
focal length of, 126
function of, 46
interchangeable, 36
normal, 138
and perspective, 138-140
and point of view, 145-146
portrait, 140
ranges of, 39
slow, 139
telcphoto, 138-142
zoom, 23, 39, 141-142
lens (enlarger), 262
lens release and mount, 47
Life magazine, 22, 28
light, 113-127, 165, 167-168,203
artificial, 212
controlled, 268-269
and film, 119
and information, 117
low, 139
metering, 120-121
modifying, 118-119
and mood,d 118, 174
and portraits, 182 184, 190, 191
range of, 68, 127
reflected, 120-121
texture and, 96, 100
value and, 68
and visual interest, 152
light meter, 119. 120-123, 197-198
hand-held, 212
internal, 42
not relying on, 83
using, 121-123
light-tight, 227
line, 56, 62-63, 74-75, 97, 108
as subject in photogrphic theory,
87-91
curved,91
horizontal, 59
implied, 62-63
straight, 90-91
vertical, 59
line print, 258-260
lith developer, 258, 260-261
lith film, 258-261
lupe, 234
lustre, 232
manipulation, procedures, 256-257
manual cameras, 36-37. 39
manual-override, 37
mass, 103
mat board, 257-258
mat frame (exercise), 64
matte texture, 232
matting, procedures, 253-255
Meyerowitz, Joel, 244
monopod, 266
Index 283