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THE PHOTOGRAPHIC EYE

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part 2 Planning the Course<br />

Naturally, how you structure your course will vary according to resources,<br />

class schedule and other factors. The course on which this text is based meets<br />

once a week. Each class begins with an explanation and discussion of the<br />

next assignment, followed by a critique session. Students are expected to<br />

complete the assignment, including darkroom work, on their own.<br />

Early in the fall, give each student a list of all assignments for the year.<br />

This offers students a sense of the structure of the course and enables them<br />

to keep an eye out for future assignment subjects. Naturally, some flexibility<br />

is maintained to accommodate unforeseen opportunities or obstacles,<br />

such as an exceptionally photogenic snowfall or a long stretch of rainy<br />

weather that forces students to work indoors.<br />

Prior to each class session, relevant samples are displayed to stimulate<br />

ideas. (As mentioned earlier, a simple rack consisting of wooden strips<br />

attached to the walls would facilitate this and the critique sessions.) Once<br />

the class is in session, the teacher summarizes the exercise, covers any logistical<br />

details (field trip schedule, for example, if one is planned for the assignment),<br />

discusses the displayed samples, and notes any "idiosyncrasies"<br />

(lighting considerations, possible locations, potential problem areas, special<br />

equipment, etc.).<br />

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