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THE PHOTOGRAPHIC EYE

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The Museum of Modern Art (of New<br />

York).<br />

Processing If you spend much time<br />

working in the darkroom, especially<br />

if you want to explore advanced techniques,<br />

you'll probably want more<br />

guidance than we've offered in the<br />

Appendix. There are essentially three<br />

kinds of books for this purpose:<br />

general manuals, special technique<br />

manuals and standard reference<br />

books.<br />

A good general manual will help<br />

you select and use equipment, explain<br />

both basic and advanced procedures<br />

and offer helpful tips. Examples include<br />

The Basic Darkroom Book by<br />

Tom Grimm (Plum Books), Basic<br />

Guide to B& W Darkroom Techniques<br />

(part of the "Learn Photography<br />

Series" published by HP Books) and<br />

Beginner's Guide to Color Darkroom<br />

Techniques by Ralph Hattersley<br />

(Doubleday/Dolphin). A special<br />

technique manual may cover anything<br />

from high-contrast processing<br />

to the production of museum-quality<br />

prints. Examples include Darkroom<br />

Magic by Otto Litzel (Amphoto) and,<br />

for advanced Zone System work,<br />

Ansel Adams' The Negative and The<br />

Print (New York Graphic Society).<br />

Darkroom reference books provide<br />

very detailed information on films,<br />

papers, chemicals and procedures.<br />

Examples include The Photographic<br />

Lab Handbook by John Carrol<br />

(published by Amphoto) and such<br />

Kodak publications as How to Process<br />

Ektachrome Slides Using Process<br />

E-6 and Kodak Black-and-White<br />

Photographic Papers.<br />

Special Techniques If you're interested<br />

in some particular aspect of<br />

photography, odds are that someone<br />

has written a book about it. Few of<br />

276 The Photographic Eye<br />

the more specific titles, however, will<br />

ever show up in your local bookstore,<br />

or even in the library. If you want<br />

more information than you can find<br />

in the usual general interest books,<br />

try looking in Books in Print, a standard<br />

reference available for use in<br />

both bookstores and libraries. Most<br />

bookstores will be happy to place an<br />

order for you, and may even be able<br />

to convince a library to do so as well.<br />

Examples of the kinds of books you<br />

might find include John Shaw's<br />

Closeups in Nature (Amphoto) and<br />

Frame It: A Complete Do-It- Yourself<br />

Guide to Picture Framing by Lista<br />

Duren (Houghton Mifflin).<br />

Time-Life Another editorial team.<br />

The Time-Life Library of Photography<br />

is an extensive (and expensive)<br />

series of books whose titles include<br />

Color, Photojournalism and The<br />

Great Themes. They are all good<br />

reference books, though you'll probably<br />

want to check them out of your<br />

local library, rather than buy them.<br />

Vestal, David The author of<br />

numerous instruction books stressing<br />

black-and-white photography and<br />

processing. His books (especially The<br />

Craft of Photography) are excellent<br />

resources for anyone wishing to<br />

achieve a high level of technical skill.<br />

Zone System The exposure control<br />

technique of Ansel Adams and his<br />

disciples. If you're interested in producing<br />

exquisite prints of subjects<br />

that will sit still for a long time (like<br />

buildings and rocks), then the Zone<br />

System is an essential tool. It has<br />

been explained in numerous books by<br />

numerous authors, including Adams<br />

himself. Probably the best known<br />

book on this subject is The New Zone<br />

System Manual, by Minor White,<br />

Richard Zakia and Peter Lorenz<br />

(published by Morgan and Morgan).<br />

Magazines<br />

There are many magazines and other<br />

periodicals devoted to photography,<br />

from glossy, mass-market monthlies<br />

to simple camera club newsletters.<br />

The following list covers those that<br />

are most commonly available. The<br />

best way to make your selection is to<br />

find a bookstore or drugstore with an<br />

extensive magazine rack and browse.<br />

American Photographer If you<br />

consider advertising photography to<br />

be as important as traditional landscapes<br />

(as many contemporary photographers<br />

do) then you'll probably<br />

like American Photographer. If you<br />

enjoy a slick and occasionally flippant<br />

style, then you'll probably love<br />

it. At the very least, American<br />

Photographer is more enthusiastic<br />

than most photography magazines.<br />

In terms of content, it is primarily<br />

devoted to discussing photographers<br />

and showing their work, rather than<br />

to explaining how their results were<br />

achieved or what tools they used.<br />

Aperture This is the classic<br />

photography magazine: a very serious<br />

publication, almost solely devoted to<br />

presenting the work of art photographers.<br />

It is elegantly designed and<br />

beautifully printed. Every photographer<br />

should own at least one issue.<br />

Darkroom Photography For<br />

anyone wishing to master the darkroom,<br />

Darkroom Photography is an<br />

important resource. It contains a<br />

good mix of detailed "how-to"<br />

guides, equipment reviews and collections<br />

of inspirational photographs.

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