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THE PHOTOGRAPHIC EYE

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image area. Special effects filters (like<br />

print manipulation) should be used<br />

very sparingly and only for good<br />

reasons. Used too frequently, they<br />

quickly become boring cliches.<br />

Motor Drive<br />

If you need to make several exposures<br />

fairly quickly-as in sports photography—then<br />

a motor drive or auto<br />

winder may be a good investment.<br />

An auto winder, the less expensive<br />

choice, automatically advances the<br />

film after each exposure. This is all<br />

the winding assistance that most photographers<br />

actually need.<br />

A motor drive does the same thing,<br />

but does more as well. Generally, a<br />

motor drive will trigger 5 exposures,<br />

for example, every time you release<br />

the shutter ... or 2, or 10, or<br />

whatever number you select. It may<br />

also have a delay and/or interval<br />

timer, which will release the shutter<br />

after a specified time or at specified<br />

intervals. Unless you have a clear<br />

need for these features, a motor drive<br />

is primarily an excellent way to waste<br />

film. Stick with the auto winder<br />

unless you have a good reason not to.<br />

Flash<br />

A modern electronic flash emits a<br />

very short (often 1/500 of a second<br />

or less) burst of light that is essentially<br />

the same color as midday sunlight.<br />

To work properly, the shutter<br />

must be in sync with the flash, which<br />

means that it must be wide open at<br />

the exact instant that the flash fires.<br />

If it isn't, only part of the frame will<br />

be correctly exposed. The traditional<br />

standard setting for electronic flash<br />

sync is 1/60 of a second. Recently,<br />

however, there's been a trend toward<br />

faster flash sync speeds (from 1/125<br />

of a second all the way to 1/1000),<br />

which can more effectively freeze<br />

Advanced Techniques 267

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