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The Jeremiad Over Journalism

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Knud Buchardt returned to theme of New <strong>Journalism</strong> not being new in a Danish context, but praised<br />

New <strong>Journalism</strong> for forcing reporters to do actual reporting. 444<br />

Less than one year later after Klit‘s book, the Gonzo Publishing house named after Hunter S.<br />

Thompsons, self-proclaimed style of New <strong>Journalism</strong>, was established and soon put out a book<br />

called Reporter Astray which was a compilation of 13 young journalists‘ experimentation with New<br />

<strong>Journalism</strong>. Among the authors was Lasse Ellgaard who is described by Jørgensen, as ―one of the<br />

central figures,‖ in Danish New <strong>Journalism</strong>, and also served as the main character of Klit‘s book<br />

about the genre.<br />

Additionally, by 1984 a course called ―<strong>The</strong> Art of Telling a Good Journalistic Story,‖ was<br />

introduced at the Danish School of <strong>Journalism</strong>. According to the Danish journalist and author<br />

Mikkel Hvid this feature writing course utilized many of the literary tropes known from New<br />

<strong>Journalism</strong> and for the first time incorporated the journalistic trailblazing that had occurred in the<br />

United States in the 1960‘s into a Danish curriculum. 445 Consequently, by 1984 literary approaches<br />

to journalism writing reached a broader audience and were so well-known that Berendt that year<br />

declared New <strong>Journalism</strong> ―dead.‖<br />

―<strong>The</strong>re is no longer a need for New <strong>Journalism</strong> as an independent form. Like fertilizer that is<br />

slowly integrated into the biological system, the elements of New <strong>Journalism</strong> have slipped<br />

into mainstream journalism.‖ 446<br />

Berendt thereby agreed that New <strong>Journalism</strong> had been appropriated by Danish journalistic<br />

mainstream by 1984. In the late 1960‘s, access to learning about New <strong>Journalism</strong> had first been<br />

―restricted‖ to those Danish journalists who had been in the United States or knew someone that had<br />

that they could learn from, as exemplified by Sabroe‘s experience. In 1980 DJE introduced courses<br />

where New <strong>Journalism</strong> was part of a bigger whole, but not all Danish journalists were able to attend<br />

444<br />

Knud Buchardt, "Journalistik Er at Rejse Ind I En Fremmed by [<strong>Journalism</strong> Is to Travel into a Unfamiliar City],"<br />

Journalisten, March 1983. Page 14-15.<br />

445<br />

Mikkel Hvid, Fascinerende Fortælling [Fascinating Storytelling] (Århus: Ajour, 2002). Page 7.<br />

446<br />

Peter Andersen, "New <strong>Journalism</strong> Er Død... [New <strong>Journalism</strong> Is Dead...]," Journalisten, November 1984. My<br />

translation. Original text reads, ―Der er ikke længere behov for New <strong>Journalism</strong> som selvstændig form. Som gødning,<br />

der langsomt integreres i det biologiske kredsløb, er elementerne fra New <strong>Journalism</strong> gledet ind i den daglige<br />

journalistik.‖ Page 20.<br />

141

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