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The Jeremiad Over Journalism

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abounds with references to American ―imperialism,‖ ―hegemony,‖ ―class struggle,‖ ―working<br />

class,‖ and critical stabs at the ―bourgeoisie.‖ 55<br />

As a consequence, the text serves as a lucid example of the ―cultural imperialism‖ paradigm within<br />

Americanization studies. 56 In the authors‘ interpretation the influence from the United States is all<br />

encompassing and furthermore happens against the wishes of the so-called Danish ―masses.‖ In a<br />

telling example, the authors argue that a referendum concerning membership of NATO ―could<br />

easily have been decided to the advantage of the opposition,‖ and cite Gallup surveys between<br />

February and April 1949 to back up their claim. Yet, for every political party cited in the survey,<br />

with the obvious exception of the communists, the support for NATO membership is on the rise<br />

between the first and third survey.<br />

Support for NATO is not attributed to a genuine popular sentiment, but rather a ―hetz against [the]<br />

Soviet [Union],‖ as well as ―horror propaganda‖ from the Social Democrats. 57 Consequently, the<br />

Danish population‘s ability to resist or adapt American influence is absent from this study and<br />

especially in the realm of culture does this become evident for the authors.<br />

Through the four overall themes of ―Cold War,‖ ―growth,‖ ―class cooperation,‖ and ―family‖ the<br />

authors analyze cartoons, journals, novels, advertisements, film, music and the development of<br />

language. This leads Christensen et al. to conclude that the messages conveyed through the Danish<br />

version of Readers Digest along with cartoons and novels, resonate with the working class‘ wishes<br />

for (or experience of) upward social mobility, while the bourgeoisie is not affected by the same<br />

―American trivialization,‖ but instead adopt American influences or practices through high-brow<br />

plays, journals or rationalization techniques in business. 58<br />

In a final attempt to demonstrate Danish opposition to American influence, the authors argue that<br />

anti-Americanism in Denmark, personified by the hippie movement, was inspired by the student<br />

protests in France, the cultural revolution in China, and the Vietnamese fight against American<br />

imperialism, but Christensen et al. ignore the fact that this Danish movement was largely inspired<br />

55<br />

Ibid. Page 11, 19, 22, 29, 35, 46, 63, 83-86, 88-89, 90, 96.<br />

56<br />

Marianne Rostgaard, "Opinionsdiplomati Og Amerikanisering [Public Diplomacy and Americanization],"<br />

Arbejderhistorie, no. 4 (2004). Page 107.<br />

57<br />

Christensen, ed. Amerikanisering Af Det Danske Kulturliv I Perioden 1945-58. [Americanization of the Danish<br />

Cultural Life in the Period 1945-58]. Page 60-61.<br />

58<br />

Ibid. Page 251-259.<br />

19

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