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THE YAKHA: CULTURE, ENVIRONMENT AND DEVELOPMENT IN ...

THE YAKHA: CULTURE, ENVIRONMENT AND DEVELOPMENT IN ...

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phuphu~arg, These were pop guns made out of two short pieces of malinno<br />

of different thicknesses. The larger piece was filled with seeds which<br />

were then fired from one end by ramming the thinner piece inside, The<br />

Brahmin children who showed these toys to me insisted that both the word<br />

and toy were Yakha, although I wondered whether there may also have been<br />

an onomatopoeic derivation from Nepali.<br />

Fores t (Ban )<br />

In describing the typical scene of the Mewa Khola valley in Ilam<br />

district, Sagant could have been writing about the Maya Khola valley<br />

landscape of which Tamaphok was a part: a swathe of houses and f ields<br />

across the slopes, broken only by thickets of bamboo and groves of<br />

trees, often between two wooded belts, one by the river and one by the<br />

crest, These extremities were distinctive, Rivers were often malarial,<br />

rocky and gorge-like, and both they and the forests belts were wild<br />

areas inspiring fear (Sagant, 1976:32). For the Yakha too, the riverine<br />

and r idge-crest forests were wild, jungly places, the haunt of ghosts,<br />

spirits and wi ld animals.<br />

It might seem odd to cast the forest, an integral part of the<br />

farming system, in the role of cultural bogeyman. True, the forests<br />

were known as a source of wood, medicines, strawberries and chestnuts<br />

(and the river provided fish). However, the acknowledged importance<br />

of forest and river products did not detract from people's fear of the<br />

places they came from, One man remembered the days when carrying goods<br />

from Dharan to Taplejung could earn him 120 NRs (worth a lot more in<br />

those days); his main fear along the route was the terrifying forest<br />

between Basantapur and Chauki (a hamlet at the head of the Maya Khola

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