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THE YAKHA: CULTURE, ENVIRONMENT AND DEVELOPMENT IN ...

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contradict ions" (Ellen, 1979b: 21, In consequence, subsistence<br />

activities became "simple, undifferentiated and boringly repetitive<br />

wherever one finds them" (Netting, 1977; see too Ellen, 19821,<br />

This is an over-simplified view, since no-one could accuse<br />

Malinowski (1935) of finding subsistence activities 'boring'. It is<br />

Radcliffe-Brown whom Netting credits with having consigned "studies of<br />

subsistence adaptation to an 'external realm' where labored<br />

archaeologists and ethnological historians of diffusion. The topic<br />

could safely be left with museum cataloguers of material culture or such<br />

contemporary experts as bhe geographer, the agronomist, and the rural<br />

sociologist" (1974:21). In the prevailing 'cultural ideology'<br />

(Meilleur, 1987), while environmental concerns could hardly be ignored<br />

in the fieldwork enterprise,<br />

the treatment of ecology (generally meaning 'environment') was<br />

seen as obligatory, but in the event something of a ritual<br />

exercise, It became a discrete section in monographical<br />

studies, often the first chapter; a few background facts on<br />

the distribution of vegetation, rainfall records and<br />

topographical features were presented in vacuo before<br />

proceeding to the main focus, the analyt ical ly autonomous<br />

domain of social organisation", (Ellen, 1979:4-5).<br />

During the 1930s, it was Daryll Forde who "maintained virtually<br />

single-handed a theoretical interest in environmental relations" (Ellen<br />

!979:3), at least in the British school, Rather than looking at<br />

environmental 'traits', such as climate, in isolation, Forde accepts the<br />

environment as a complex which "does not affect human activity in any<br />

single and comprehensive way,..physical conditions have both restrictive<br />

and permissive relations to human activities" (1934: 4631, He also<br />

accepts the independent status of culture:

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