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Ireland and the Making<br />

of Britain<br />

spiritual combat, and they responded to the spiritual call<br />

of religion, of learning and of liberty, as they had before<br />

answered to the martial call of bard and king. They were<br />

called ascetics, or athletes, which is the very meaning of<br />

the Greek word, and they loved to "make a record," and<br />

records they made in abundance, as we shall see as we<br />

proceed.<br />

Behind the going from Ireland of some of these passionate<br />

pilgrims often lay a romance of high passion such<br />

as is depicted in Irish literature with wonderful purity,<br />

tenderness and charm. There is for example the ninth<br />

century tale of "Liadain and Curithir," which, by its<br />

pathos and rare knowledge of the human heart, recalls<br />

the other great love stories of the world's literature. It<br />

tells of the love of a poetess who has taken the veil for a<br />

young poet from whom her vows separate her forever.<br />

Thus the plot is a conflict between love and religion. The<br />

lovers seek the direction of one of the saints who gives<br />

them the choice between seeing each other without speak-<br />

ing or speaking without seeing.<br />

'Talking for us," says the poet. "We have been look-<br />

ing at each other all our lives." So they converse, while<br />

one is enclosed in a cell and the other wanders around it.<br />

Passionate words of love and longing and regret are ex-<br />

changed:<br />

"Beloved is the dear voice that I hear<br />

I dare not welcome it.<br />

'Tis this the voice does to me,<br />

It will not let me sleep."<br />

At length the poet is banished by the saint and, re-<br />

nouncing love, takes up the pilgrim's staff. The hapless<br />

Liadain follows, seeking him and wailing:<br />

"Joyless<br />

The bargain I have made:<br />

98

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