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Preface<br />

has involved some small description of medieval Ireland,<br />

of the seats of learning in Ireland, and of noted men whose<br />

work was accomplished in Ireland itself ; but such descrip-<br />

tion has been brought in with strict reference to Irish<br />

work in other lands. Any further consideration of the<br />

cultural development in Ireland would have been far<br />

beyond the scope of this work, and would have involved<br />

the laying under large tribute of the extensive medieval<br />

literature of Ireland, both Gaelic and Hiberno-Latin.<br />

The evidence on the other hand relating to the activities<br />

of Irishmen beyond the Gaedhaltacht will be found to be<br />

based almost wholly on foreign testimony.<br />

The references given in the foot-notes represent only<br />

some of the sources which have been explored. The<br />

volumes consulted might be numbered by the hundred,<br />

and I have habitually gone back to original and contemporary<br />

authorities where these were available. In<br />

connection with the general subject of Irish medieval<br />

work I have waded repeatedly through the great collec-<br />

tions Migne, the Rolls Series, the Monumenta Ger-<br />

maniae Historica, the various Acta, the proceedings of<br />

German and French societies and the like and have fol-<br />

lowed every sort of clue through the borderlands and back-<br />

ground of my subject in whatever direction the path might<br />

lead. This however while indispensable is only second-<br />

ary work. To give life and unity to his narrative the<br />

historian ought to be able to write of persons and events<br />

with the familiarity and understanding almost of an<br />

eyewitness and contemporary, and this condition of<br />

illumination can be present only as a result of an unflagging<br />

interest in his subject and continuous meditation<br />

upon it. And tho this composition from its pioneer char-<br />

acter falls short of being an historical narrative, it could

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