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I. VAMA MARGA Foundations Of The Left-Hand Path - staticfly.net

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a reference, perhaps, to the reportedly uncanny luck which his inner daemon<br />

or genius brought to him. When Johann Goethe composed his epic Faust: A<br />

Tragedy, the definitive version of the Faust legend, he drew on deep research<br />

into the Gnostic heresies. In Goethe's Faust, the magician learns that the most<br />

powerful force in the cosmos – mightier than his blood-pact with<br />

Mephistopheles – is das Ewigweibliche, the Eternal Feminine.<br />

Just as the original faustus, Simon Magus, encountered the Feminine<br />

power in the body of his consort Helene, the Tyrean whore, the fictional<br />

Doctor Faust finds this magical essence embodied in the beautiful Helen of<br />

Troy, summoned from the <strong>net</strong>herworld through the Devil's necromancy. It's<br />

hard to imagine that Goethe's depiction of a demon-conjuring sorcerer named<br />

Faustus and a supernatural feminine being named Helen is not a deliberate<br />

recurrence of Simon Magus and Helene, incarnation of the Divine Sophia.<br />

From first century Rome to eighteenth century Germany, the timeless<br />

paragons of the left-hand path adept and his shakti are clearly discernible.<br />

<strong>The</strong> Sacred Prostitute In Antiquity<br />

We have established that the semi-mythical figures of Simon and Christ are<br />

manifestations of the Graeco-Egyptian tradition of the magus. Viewed in<br />

their proper historical context, they can no longer be considered the unique<br />

phenomena orthodox Christianity presents them as. <strong>The</strong>y are simply two<br />

193<br />

particularly well-remembered magicians of their time, a period in which selfdeified<br />

magi operated in all sectors of society. Similarly, their Feminine<br />

Daemonic consorts, the prostitutes Helene and Mary Magdalene, are but<br />

enduring expressions of the sex-magical role which the sacred courtesan, or<br />

hierodule, has played from the very beginnings of recorded magical activity<br />

in the earliest known civilizations.<br />

Conditioned to associate the word "sacred" with purity, chastity, and<br />

celestial modes of being, and the word "prostitute" with promiscuity, lust,<br />

and carnality, the modern mind can only experience a jarring dissonance<br />

when these seemingly irreconcilable concepts are brought together in the<br />

form of the holy whore. <strong>The</strong> Semitic word for prostitute, k'deshah, is derived<br />

from the word for "sacred", the Mesopotamian temple prostitutes were<br />

known by the similar epithet of quadishtu. Despite her dominant place in the<br />

spiritual life of all pre-Christian cultures, the sacred prostitute is today an<br />

utterly banished power. Like all forces rejected by the mainstream of current<br />

pashu opinion, the left-hand path adept can find a great reservoir of untapped<br />

magical energy by contemplating and then integrating this rejected form of<br />

Shakti into his or her initiation.<br />

<strong>Of</strong> particular usefulness to sinister current initiates is the way in<br />

which the holy whore bridges the long sundered gap between spirituality and<br />

sexuality in her very body. She is a living yantra expressing the uniquely<br />

left-hand path interplay of the physical organism – the Temple of the Nine<br />

Gates – with the non-physical divine essence that can be caused to dwell<br />

within that shrine of flesh. <strong>The</strong> male who made a pilgrimage to any of the<br />

temples of sacred prostitution – institutions that played a pivotal role in the<br />

spiritual life of antiquity – was not simply seeking the relief of mundane<br />

orgasm readily available from a profane whore. He understood that his<br />

partner's body was mysteriously transformed during the rite into the literal<br />

incarnation of the goddess whose temple she served.<br />

<strong>Of</strong>ten trained since her youth in the practice of formal esoteric<br />

dance, the sacred prostitute elevated the ars amatoria of seduction into a<br />

religious art. An important key to the success of such magical operations of<br />

self-deification was the deliberately impersonal nature of these unions. <strong>The</strong><br />

anonymous priestess recognized the stranger who came to her as the<br />

embodiment of the goddess's divine consort, often referring to him by the<br />

name of the god. As a priestess, it was her sacerdotal task to form a physical<br />

link between the divine mode of being and the mortal world; her partner

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