I. VAMA MARGA Foundations Of The Left-Hand Path - staticfly.net
I. VAMA MARGA Foundations Of The Left-Hand Path - staticfly.net
I. VAMA MARGA Foundations Of The Left-Hand Path - staticfly.net
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a reference, perhaps, to the reportedly uncanny luck which his inner daemon<br />
or genius brought to him. When Johann Goethe composed his epic Faust: A<br />
Tragedy, the definitive version of the Faust legend, he drew on deep research<br />
into the Gnostic heresies. In Goethe's Faust, the magician learns that the most<br />
powerful force in the cosmos – mightier than his blood-pact with<br />
Mephistopheles – is das Ewigweibliche, the Eternal Feminine.<br />
Just as the original faustus, Simon Magus, encountered the Feminine<br />
power in the body of his consort Helene, the Tyrean whore, the fictional<br />
Doctor Faust finds this magical essence embodied in the beautiful Helen of<br />
Troy, summoned from the <strong>net</strong>herworld through the Devil's necromancy. It's<br />
hard to imagine that Goethe's depiction of a demon-conjuring sorcerer named<br />
Faustus and a supernatural feminine being named Helen is not a deliberate<br />
recurrence of Simon Magus and Helene, incarnation of the Divine Sophia.<br />
From first century Rome to eighteenth century Germany, the timeless<br />
paragons of the left-hand path adept and his shakti are clearly discernible.<br />
<strong>The</strong> Sacred Prostitute In Antiquity<br />
We have established that the semi-mythical figures of Simon and Christ are<br />
manifestations of the Graeco-Egyptian tradition of the magus. Viewed in<br />
their proper historical context, they can no longer be considered the unique<br />
phenomena orthodox Christianity presents them as. <strong>The</strong>y are simply two<br />
193<br />
particularly well-remembered magicians of their time, a period in which selfdeified<br />
magi operated in all sectors of society. Similarly, their Feminine<br />
Daemonic consorts, the prostitutes Helene and Mary Magdalene, are but<br />
enduring expressions of the sex-magical role which the sacred courtesan, or<br />
hierodule, has played from the very beginnings of recorded magical activity<br />
in the earliest known civilizations.<br />
Conditioned to associate the word "sacred" with purity, chastity, and<br />
celestial modes of being, and the word "prostitute" with promiscuity, lust,<br />
and carnality, the modern mind can only experience a jarring dissonance<br />
when these seemingly irreconcilable concepts are brought together in the<br />
form of the holy whore. <strong>The</strong> Semitic word for prostitute, k'deshah, is derived<br />
from the word for "sacred", the Mesopotamian temple prostitutes were<br />
known by the similar epithet of quadishtu. Despite her dominant place in the<br />
spiritual life of all pre-Christian cultures, the sacred prostitute is today an<br />
utterly banished power. Like all forces rejected by the mainstream of current<br />
pashu opinion, the left-hand path adept can find a great reservoir of untapped<br />
magical energy by contemplating and then integrating this rejected form of<br />
Shakti into his or her initiation.<br />
<strong>Of</strong> particular usefulness to sinister current initiates is the way in<br />
which the holy whore bridges the long sundered gap between spirituality and<br />
sexuality in her very body. She is a living yantra expressing the uniquely<br />
left-hand path interplay of the physical organism – the Temple of the Nine<br />
Gates – with the non-physical divine essence that can be caused to dwell<br />
within that shrine of flesh. <strong>The</strong> male who made a pilgrimage to any of the<br />
temples of sacred prostitution – institutions that played a pivotal role in the<br />
spiritual life of antiquity – was not simply seeking the relief of mundane<br />
orgasm readily available from a profane whore. He understood that his<br />
partner's body was mysteriously transformed during the rite into the literal<br />
incarnation of the goddess whose temple she served.<br />
<strong>Of</strong>ten trained since her youth in the practice of formal esoteric<br />
dance, the sacred prostitute elevated the ars amatoria of seduction into a<br />
religious art. An important key to the success of such magical operations of<br />
self-deification was the deliberately impersonal nature of these unions. <strong>The</strong><br />
anonymous priestess recognized the stranger who came to her as the<br />
embodiment of the goddess's divine consort, often referring to him by the<br />
name of the god. As a priestess, it was her sacerdotal task to form a physical<br />
link between the divine mode of being and the mortal world; her partner