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I. VAMA MARGA Foundations Of The Left-Hand Path - staticfly.net

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Those who dismiss Crowley as a mere libertine and hedonist are<br />

mistaken – no matter how far he goes in his nearly scientific personal<br />

exploration of every imaginable debauchery, he can never escape from the<br />

shadow of sin that is his patrimony. If the Plymouth Brethren of his youth<br />

preached that sex for any purpose other than the Christian duty of procreation<br />

was sinful, then the sexual morality of Crowley's own synthetic <strong>The</strong>lemic<br />

religion is equally restrictive. In both sects, whether dedicated to the Magus<br />

Christ or the Magus Crowley, Eros outside the boundaries of the faith is<br />

anathema to the true believer. <strong>The</strong> fact that one sect is based on such notions<br />

as a virgin birth and celibate angels and the other is dedicated to ritual shiteating<br />

and the magical powers of sperm is really only a technicality.<br />

Crowley's <strong>The</strong>lema, with its obligatory Mass and wafer, its Saints, its Book,<br />

its Law, its catechisms and its Prophet, can be viewed as a kind of quasi-<br />

Christian sect in itself. Both theologies share the Beast 666 and Whore of the<br />

Apocalypse as central figures. And despite the lingering confusion that<br />

would label Crowley a "Satanist," a full study of his work makes it evident<br />

that he is much more of a Gnostic Christian who fully accepts the divinity of<br />

Christ in his creed.<br />

<strong>The</strong> sexologists Eberhard and Phyllis Kronhausen, witnessing some<br />

of the desperate failings of the 1960s sexual revolution, once remarked that<br />

"there is nothing more depressing than the pretense of sexual freedom on the<br />

part of reactionary and guilt-ridden people who are acting under the<br />

compulsion of taboos rather than from genuine joie de vivre."<br />

This observation is just as pertinent to the arch-reactionary Crowley,<br />

who in so many ways anticipated the attempt of middle-class Western youth<br />

to overcome their upbringing through the collective drugged mystical orgia<br />

of the 1960s. One also comes away depressed from a consideration of the<br />

Beast's decades of exhaustively reported sexual adventures – there is so little<br />

sense of joy, delight, or freedom in the compulsive nature of his couplings.<br />

What the Old and New Testaments so zealously condemn, Crowley's Book<br />

<strong>Of</strong> <strong>The</strong> Law just as devoutly makes mandatory. But both extremes are<br />

informed by the same autocratic spirit of – Thou Shalt Not" – a spirit that<br />

cannot be reconciled with left-hand path liberation from all such<br />

hallucinatory commandments.<br />

Alys And Aleister – Punishing <strong>The</strong> Inner Whore<br />

292<br />

In light of Crowley's rejection of the Shakti principle, as expressed in the<br />

inferior role he accorded women in his system of sex magick, it is ironic that<br />

few modern male magicians have explored their own feminine sides with<br />

such intensity. Crowley was very much aware of the Jungian anima within<br />

him from a very early age. And like Jung – who he referred to<br />

contemptuously as "Junk" – he recommended that his students of either<br />

gender should develop the qualities of the contrasexual opposite sex within<br />

their beings as a necessary means of creating psychic balance. <strong>The</strong><br />

correspondence of this practice to the universal sinister current bears<br />

analysis.<br />

In <strong>The</strong>lema, the Beast and Babalon are one obvious pair of<br />

contrasexual forces that can he compared to Tantric Shiva and Shakti,<br />

Gnostic Logos and Sophia, Taoist Yin and Yang. But it is probably closer to<br />

Crowley's own understanding to say that he envisioned the universal<br />

feminine in the form of Nuit, the ancient Egyptian goddess of the starry night<br />

sky. <strong>The</strong> masculine principle he designated as an invented male solar divinity<br />

he rather obscurely called Hadit, although the Egyptian pantheon actually<br />

includes no such deity. For Crowley, Nuit represented Shakti-like darkness<br />

and matter, the phenomenal universe perceived by human senses, and Hadit<br />

symbolized solar light and motion, a Shiva-like invisible consciousness.<br />

Through sex magick, his theory that "these two infinities can not exist apart"<br />

is demonstrated in physical form as Nuit and Hadit are drawn to each other

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