I. VAMA MARGA Foundations Of The Left-Hand Path - staticfly.net
I. VAMA MARGA Foundations Of The Left-Hand Path - staticfly.net
I. VAMA MARGA Foundations Of The Left-Hand Path - staticfly.net
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smell the alluring fragrance of its pheromones signaling its own sexual<br />
excitement. As your exercise proceeds to progress from these sense<br />
impressions, you will create the touch of its skin, and feel its touch on your<br />
skin, eventually being able to sense the very subtle physical aura of its<br />
presence in the material world. Only when you have been able to sustain<br />
these other sense impressions consistently will you proceed to consummate<br />
your sexual union with the creature you have called forth, during which you<br />
will taste its kiss and the flavor of its skin.<br />
It is interesting that many magicians performing this exercise have<br />
felt that the elemental conjured was their own elusive anima or animus, an<br />
experience which can sometimes lead to an unexpected initiatory<br />
breakthrough in sexual self-understanding. Other magicians experimenting<br />
with the evocation of the elemental have found that the vivid realization of<br />
these internal beings has actually precipitated the arrival of a living person<br />
into their lives bearing great resemblance to the imagined elemental. It is not<br />
uncommon that a few successfully realized exercises of this type will lead to<br />
the spontaneous, unbidden, and not infrequently alarming appearance of the<br />
elemental in dreams or in other states of consciousness. Those who created<br />
elementals based on individuals already known to them have reported<br />
apparent telepathic experiences with the "real" subject. No matter what<br />
objective results this training of the sex-magical faculties leads to, its primary<br />
purpose is to accustom the adept to the art of deliberately controlling the stuff<br />
of maya in his or her mind, which is, after all, the act of creative generation<br />
exercised by the gods. Like Shiva, the initiate's consciousness has begun to<br />
project internal desires into a semblance of credible reality.<br />
On the other hand, it would be all too facile to automatically assume<br />
that all communication with sexual elementals is only a startlingly realistic<br />
mechanism of the imagination. To do so would be to deny the possibility that<br />
your experiment has unsealed the gate between the mortal world and the other<br />
realms, facilitating contact with any number of the transhuman beings that<br />
haunt the left side of what was once referred to as "the land of (faerie."<br />
With good reason, it will be remarked by some that schizophrenics,<br />
paranoiacs and mentally ill individuals in general suffer from an over-<br />
374<br />
abundance of this "talent" of all too believably imagining what is apparently<br />
not really there. This is true, and it may well be that the magician's power of<br />
deliberate visualization partakes in some yet unknown manner in certain<br />
elements of the same brain chemistry disturbance that afflicts the mentally ill.<br />
"Magical thinking" is in fact a commonly described symptom of various<br />
forms of mental illness. From the broader perspective of the magical tradition,<br />
we can only admit that while the regular awakening of these little-used<br />
imaginative faculties can be dangerous for the unbalanced individual, they<br />
can also be of immense value to the magician grounded solidly on terra firma.<br />
Rather than simply dismissing magic as madness, as the clinically<br />
inclined are wont to do, the visualization and imaginative powers required by<br />
the magician may have much more in common with the almost hallucinatory<br />
realism experienced by creative artists in the process of projecting their<br />
personal worlds into forms detectable by the senses of others. Artists, like<br />
magicians, have served as mediums, bringing into consciousness those<br />
aspects of reality unperceived by most minds. <strong>Of</strong> course, the connection<br />
between madness and artistic creativity has not gone unnoticed. Very much to<br />
the point, Salvador Dali once remarked that "the only difference between Dali<br />
and a madman is that Dali is not mad". So it is with the magician, who<br />
routinely enters worlds that other humans spend all of their energies avoiding.<br />
As with all left-hand path practices, the inherent pitfalls of even this first<br />
foray into the mental generation of elementals cannot be overlooked.<br />
One of the most useful and practical approaches to sex with daemonic<br />
entities has been provided from a perhaps unexpected source: the author