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I. VAMA MARGA Foundations Of The Left-Hand Path - staticfly.net

I. VAMA MARGA Foundations Of The Left-Hand Path - staticfly.net

I. VAMA MARGA Foundations Of The Left-Hand Path - staticfly.net

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as a self-created semi-divine consciousness, engineered through the wakeful<br />

orchestration of extreme erotic energy For the left-hand path dominant and<br />

submissive, the power play of such operations can be a decisive step in the<br />

quest for that elusive state of being Georges Bataille termed "sovereignty",<br />

akin to the heroic vira stage of traditional Tantric initiation, in which all<br />

fetters to one's former existence as a herd-animal are severed.<br />

For the submissive magician, the irony is that these hindering psychic<br />

chains are broken by willingly accepting the consensual bondage of ritual<br />

enslavement. <strong>The</strong> controlled tribulation exercised upon the dominant's flesh<br />

and mind by a skilled dominant is an intensification of the initiatory process<br />

itself, translated to the bodily realm. <strong>The</strong> cruel shocks to the somatic system<br />

endured and eventually welcomed by the sexually submissive magician can<br />

serve as a maya-mirror of one aspect of sinister current self-transformation.<br />

Every exquisite torment endured and overcome during a working of lust/pain<br />

echoes the manner in which the left-hand path initiate must joyfully confront<br />

the disturbing trauma of a fully awakened awareness of reality itself in this<br />

Kali Yuga age.<br />

In this subservient state, no manifestation of maya can be rejected or<br />

denied; every blow to the body is embraced, until the consciousness rises to a<br />

level where pain and pleasure, terror and exultation, orgasm and agony, are as<br />

indistinguishable as all other dualities. By subjecting the mortal meat which<br />

temporarily houses the psyche to systematic degradation, the false layers of<br />

personality developed through external conditioning can be destroyed.<br />

Illusory masks of social status crumble, allowing the initiate to reprogram<br />

internal identity at will. In yielding to the dominant's severity, the initiated<br />

submissive learns his or her own limits, and goes beyond them. Writhing in<br />

the crucible of this act of alchemical readjustment, the dross of the slave can<br />

remanifest as gold, emerging from the ordeal as master of his or her own soul.<br />

For the dominant magician, the advantage of such workings are more<br />

obviously apparent; the master or mistress is granted a semblance of divine<br />

power during ritual space/time. But even considering the harsh lessons<br />

concerning Self that the slave may he compelled to cope with, it is actually<br />

the master who faces the greatest challenge.<br />

Assuming full responsibility for another physical being who has<br />

consented to obey without question, the dominant's worthiness to he a god is<br />

put to the test. For the duration of the rite, within the liminal boundaries of the<br />

474<br />

master-slave connection, the dominant is the creator and ruler of a temporary<br />

universe for two. This allows the master/mistress a rare opportunity to study<br />

the subtle conditions of cause and effect that every magician must learn, as<br />

demonstrated in the effectiveness (or lack thereof) of his or her complete<br />

control of the slave.<br />

If discipline is lost, the dominant forfeits all right to godhood, just as<br />

the adept who cannot execute his or her will in terms that create appropriate<br />

change in maya has failed. <strong>The</strong> master who seeks to wield absolute authority<br />

over the submissive must exercise a balance between firm dominion and the<br />

playful touch of lila, a delicate equilibrium needed in all magical operations<br />

attempting to control the unruly chaos of raw existence. Within the conditions<br />

of the rite, the submissive can be equated with a work of art in progress, while<br />

the dominant is the artist, sculpting a living creation in the medium of pain<br />

and pleasure inflicted upon human flesh.<br />

For magicians whose erotic responses are already geared toward the<br />

pleasurable administration or endurance of pain, the addition of magical<br />

purpose to these cruel joys has proven to substantially boost the potency of<br />

magical operations. Many magicians who originally felt absolutely no affinity<br />

for the introduction of pain/lust into their work have benefited from at least a<br />

few limited experiments with these methods. As the most psychologically and<br />

physically dangerous of all sex magical techniques, the rites of dominant and.

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