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I. VAMA MARGA Foundations Of The Left-Hand Path - staticfly.net

I. VAMA MARGA Foundations Of The Left-Hand Path - staticfly.net

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<strong>The</strong> Sinister Current In <strong>The</strong> West<br />

144<br />

145<br />

IV.<br />

In <strong>The</strong> Beginning Was <strong>The</strong> Word<br />

Decoding <strong>The</strong> Language <strong>Of</strong> Western Magic<br />

If language is not used rightly, then what is said is not what is meant.<br />

If what is said is not what is meant, then that which ought to be done<br />

is left undone.<br />

- Confucius<br />

What cannot be articulated can't be realized.<br />

- Order of Sekhmet Statement<br />

<strong>The</strong> Logos <strong>Of</strong> <strong>The</strong> <strong>Left</strong>-<strong>Hand</strong> <strong>Path</strong><br />

Before we turn our attention to the history mechanics and praxis of left-hand<br />

path sex magic in the Western world, a preliminary examination of the wider<br />

magical context in which the sex magician performs his or her operations is<br />

necessary. <strong>The</strong> magician who attempts to clarify these basics of magical<br />

practice is immediately faced with the need to come to terms with the<br />

archaic, often opaque language traditional of the Black Arts. Throughout this<br />

book, we have already made frequent use of the words "magic" and<br />

"magician", "sorcery", "theurgy", "initiation" and "initiate", "daemonic",<br />

"workings", and the "psyche."<br />

All too often, these elementary elements of the magician's<br />

vocabulary are applied without precision, necessitating this lexicon, which<br />

aims to keep later misunderstandings to a minimum. Although all of these<br />

words are drawn from the ancient Graeco-Roman Mediterranean magical<br />

culture, they are rooted in the same Indo-European family of languages that<br />

gives us most of the Sanskrit words used in the Tantric left-hand path<br />

teaching of erotic initiation. Not the least of these, as we shall sec, is the word<br />

"magic" itself.<br />

For the beginning magician, who may first be orienting him/herself<br />

to the sometimes bewildering and contradictory maze of esoteric<br />

terminology, this chapter will help develop useful habits of utilizing the<br />

magical vocabulary in a conscious and deliberate manner, rather than<br />

unthinkingly appropriating terms out of convenience or mental lethargy.<br />

Some stale magical phrases are embraced simply due to a received mystique<br />

that may be associated with them, much like the allure that a proven brand<br />

name exerts on a consumer. As for the more experienced magician, analyzing<br />

146<br />

the magician's familiar vocabulary through fresh eyes can only add accuracy<br />

to one's existing magical approach. In the left-hand path magician's work to<br />

seize more power in the inner and outer worlds, a discriminating and<br />

judicious methodology of word usage is an essential aspect of reconstituting<br />

reality according to desire.<br />

One of the most common archetypes of magic in folklore and legend<br />

is the magician who performs miraculous feats by uttering the correct<br />

magical word at just the right time. Whether it is the well-timed enunciation<br />

of "Abracadabra!" as taught in ancient magical texts and popularly adopted<br />

by stage magicians, or Aladdin's "Open Sesame!", the informing principle is<br />

the same. <strong>Of</strong> course, the accomplishment of one's goals is never quite that<br />

easy or predictable. Nevertheless, there is a grain of truth in this legendary<br />

prototype: using words correctly and with full cognizance of their meaning is<br />

a magical power of the first order. It's a skill that too few magicians attempt<br />

to master, perhaps because it seems less glamorous and romantic than other<br />

branches of the Black Art. An astounding measure of human perception and<br />

creation of reality is composed of the weaving and manipulation of the

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