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I. VAMA MARGA Foundations Of The Left-Hand Path - staticfly.net

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adept one of the more dramatic historical examples of the conjuration of the<br />

sex-magical mate. In Carl Jung's theory positing a contrasexual being that<br />

lays undeveloped in every human psyche – the female anima for the male, the<br />

male animus for the female – these opposite gendered entities are understood<br />

to be unrealized aspects of the self. For the sinister current initiate, bringing<br />

forth a suitable magical consort of the opposite sex is realized literally in the<br />

flesh through beings independent of the adept, not merely on the psychic<br />

plane. To find such a companion is exceedingly rare. It is only fair to say that<br />

the majority of magicians will never truly encounter his/her perfect alter ego,<br />

the one who also finds the outer manifestation of his/her inner anima/animus<br />

in you. But when this does occur, as Jack Parsons at least sincerely appeared<br />

to believe had happened for him as the result of his Babalon Working, each<br />

partner's power as a magician is enhanced tremendously<br />

305<br />

Parsons had clearly given a great deal of thought to the concept of<br />

the magical couple, the bipolar representation of the mystical androgyne. In<br />

1948, two years after the Babalon Working, he wrote in <strong>The</strong> Book <strong>Of</strong><br />

Antichrist of a vision he experienced:<br />

"And one heavily robed and veiled showed me the sign, and told me to look,<br />

and behold, I saw flash before me four past lives wherein I had failed in my<br />

object. And I beheld the life of Simon Magus, preaching the Whore Helena<br />

as the Sophia, and I saw that my failure was in Hubris, the pride of the spirit.<br />

And I saw my life as Gilles de Retz, wherein I attempted to raise Jehanne<br />

D'Arc to be Queen of the Witchcraft, and failed through her stupidity, and<br />

again my pride... And again as Count Cagliostro, failing because I failed to<br />

comprehend the nature of women in my Seraphina."<br />

Here we have the common occult phenomenon of the magician who believes<br />

he or she was once this or that illustrious adept of the past, a conception so<br />

subjective that it must be of little value to any objective observer. More<br />

important to us, however, is Parsons' sense of continuity with the Western<br />

tradition of male magus and female initiatrix, a legacy most recently<br />

manifested in the modern cult of the Scarlet Woman. <strong>The</strong> first magical<br />

couple he mentions, Simon Magus and Helena, are of course directly tied into<br />

the Babalon current. <strong>The</strong> sex-magical powers unique to the Tyrean prostitute<br />

Helene, who may well have been an initiate of Astarte's temple of sacred<br />

harlotry in Phoenicia, was a major inspiration in Parsons' conception of<br />

Babalon, always more historically correct than Crowley's despite the younger<br />

magician's fatal indulgence in romanticism. Don Webb, in his <strong>The</strong> Seven<br />

Faces <strong>Of</strong> Darkness, proposes that Simon Magus was himself carrying on a<br />

much more ancient teaching of female mysteries, which he sees flowing from<br />

Simon's teacher Dositheous, a fellow Samaritan Gnostic. Webb describes<br />

Dositheous as "the author of the great Sethian gospel known as the Three<br />

Steles <strong>Of</strong> Seth... [who] likely introduced – or revealed from older sources –<br />

the myth of the Scarlet Woman." This provides us with yet another<br />

interesting connection between Babalon and the god Set, a link in the chain<br />

from the ancient Egyptian myth of Astarte and Set's sexual coupling to the<br />

effects of the Babalon Working on the modern-day revival of the Temple of<br />

Set.<br />

Parsons was evidently intensely conscious that his seeking of a<br />

Scarlet Woman connected him to a tradition that stretched back into<br />

antiquity, an historical bond he believed was a recurring theme in his former<br />

reincarnations. It is also notable that he was also very much aware of the<br />

potential dangers inherent in the evocation of the Feminine Daemonic in<br />

human form that he had undertaken. Simon Magus, at least according to<br />

306<br />

myth, had been destroyed by the Christian cult despite the protective magic<br />

of his deified Whore Helene, the spirit of Gnostic wisdom embodied. in<br />

human flesh. <strong>The</strong> second "past life" as a magician Parsons recalled, that of

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