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Human Settlements Review - Parliamentary Monitoring Group

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<strong>Human</strong> <strong>Settlements</strong> <strong>Review</strong>, Volume 1, Number 1, 2010<br />

“It is about understanding the unfolding<br />

and dynamic interplay between nature and<br />

culture and treating design as if it is a process<br />

of participating in and reconciling these<br />

processes as they flower into forms that best<br />

benefit people and the planet” (Buchanan<br />

2008, 128).<br />

Design also needs more of what Albert<br />

Borgman terms “spacious awareness and<br />

humility” (Borgman 2008, 6). He discusses how<br />

premodern cultures were keenly conscious of<br />

space – they could and did inhabit, at least<br />

conceptually, the whole universe (Borgman<br />

2008, 6). “In contrast, the semantic space<br />

most people in our rich Western democracies<br />

inhabit is just the surface of the earth”<br />

(Borgman 2008, 6). Borgman states that we<br />

live in ambiguous space (2008, 14). Many of<br />

the technological and economic advances<br />

often considered as evidence of our cultural<br />

vitality are smoothing and accelerating<br />

private forms of transportation, information<br />

and consumption and are thus fomenting the<br />

feeling of restlessness and unreality that is<br />

the curse of destitute space. We are largely<br />

unaware of the destitution of space, because<br />

we think that the threat to space is material<br />

poverty rather than experiential destitution.<br />

David Orr (2007, par. 17) suggests that we<br />

need a standard for our work, rather like the<br />

Hippocratic Oath or a compass by which we<br />

chart a journey. For that David Orr (2007)<br />

proposes that “designers should aim to cause<br />

no ugliness, human or ecological, somewhere<br />

else or at some later time” (par. 17).<br />

“That standard will cause us to think upstream<br />

from the particular design project or object<br />

to the wells, mines, forest, farms and<br />

manufacturing establishments from which<br />

materials are drawn and crystallized into<br />

particularities of design. It will cause us also<br />

to look downstream to the effects of design on<br />

climate and health of people and ecosystems.<br />

If there is ugliness, human or ecological, at<br />

either end designers cannot claim success as<br />

a designer regardless of artfulness of what is<br />

made” (Orr 2007, par 17).<br />

Orr (2007) further suggests that we must<br />

think of ourselves firstly as place makers not<br />

form makers – this difference he stresses is<br />

critical (par.18). He argues that design has<br />

conventionally or traditionally been mostly<br />

indifferent to human and ecological costs<br />

incurred elsewhere (Orr 2007, par.18). Place<br />

making he argues must honor and preserve<br />

other places, however remote in space and<br />

culture (Orr 2007, par. 18).<br />

Paradigm Shift<br />

Questions of sustainability typically center<br />

around energy usage, consumption patterns<br />

And issues such as water scarcity. We must,<br />

however, keep in mind much deeper questions<br />

that rarely find their way into political debate<br />

or public discourse and there will need to be<br />

attempts to integrate economics with ethics,<br />

culture and spirituality. Such conversations<br />

about changes in governance, economics,<br />

social norms and daily life that must be made<br />

to avoid the worst of what lies ahead are only<br />

beginning.<br />

We in the comfortable middle class must be<br />

prepared to “give up”, give up cars, rethink and<br />

reimagine cities and be prepared to share<br />

129

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