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The Suppression <strong>of</strong> UFO Technologies <strong>and</strong> Extraterrestrial Contact 379<br />

plausibility, since freak whirlwinds <strong>and</strong> hypothetical plasma vortices cannot<br />

by any stretch <strong>of</strong> the imagination explain geometrically precise pictograms<br />

<strong>and</strong> <strong>other</strong> complex symbolic formations. From 1978 to 1989, the<br />

shapes were for the most part simple circles. However, since 1989, the<br />

patterns have become more <strong>and</strong> more intricate, eliminating the possibility<br />

that they could be caused by unusual meteorological conditions.<br />

The summer <strong>of</strong> 1991 was a quantum leap as patterns <strong>of</strong> rings <strong>and</strong> circles<br />

became true complex pictograms. Straight bars, or boxes, <strong>and</strong> arcs,<br />

both inside <strong>and</strong> outside <strong>of</strong> circles, were combined with circles <strong>and</strong> rings to<br />

form complex pictograms. Some pictograms combined more than thirty<br />

elements.<br />

Crop circle developments during the summer <strong>of</strong> 1991 were well<br />

described by Michael Chorost in the October 1991 issue <strong>of</strong> the MUFON<br />

[Mutual UFO Network] UFO Journal:<br />

One <strong>of</strong> the most interesting formations was a representation <strong>of</strong> the<br />

M<strong>and</strong>elbrot set, a two-dimensional graph made famous by chaos<br />

theory . . . the last two seasons <strong>of</strong> crop circles have clustered densely<br />

in a tiny area containing Europe's most remarkable ancient constructions:<br />

Avebury, Silbury Hill, Windmill Hill, Barbury Castle, Adam's Grave,<br />

the White Horses, <strong>and</strong> the East <strong>and</strong> West Kennet Long Barrows. . . .<br />

I invite my readers to consider that the mystery <strong>of</strong> the crop circles is very<br />

much like the mystery <strong>of</strong> the megaliths. Each consists <strong>of</strong> compelling<br />

geometric forms. No one knows why they were made, nor why they are<br />

where they are. Nor do we know how either were made. Perhaps the<br />

two mysteries are deeply intertwined. Not that either one "caused" or<br />

"inspired" the <strong>other</strong>, but that the two phenomena somehow "talk" about<br />

the same thing, a thing still unknown to us, or "do" a single thing, taken<br />

together as a total system. It could be that solving one mystery will automatically<br />

solve the <strong>other</strong>.<br />

Chorost goes on to describe the research results <strong>of</strong> Marshall Dudley, a<br />

systems engineer for Tennelec/Nucleus <strong>of</strong> Oak Ridge, Tennessee, as well<br />

as those <strong>of</strong> Michigan biophysicist Dr. W. C. Levengood. Dudley detected<br />

significant isotope changes in the soil samples from crop circles he had<br />

been provided with, <strong>and</strong> Levengood found that cell pits in plant cells in<br />

the affected formations had been subjected to rapid heating that had separated<br />

the cell pits. He found this to be true in samples from Engl<strong>and</strong>, the<br />

United States <strong>and</strong> Canada.<br />

An<strong>other</strong> major breakthrough was made by Gerald Hawkins, the author<br />

<strong>of</strong> Stonehenge Decoded, who discovered that in eighteen photographs <strong>of</strong><br />

crop circle formations, there was a repeated pattern <strong>of</strong> frequency ratios<br />

that are equivalent to the diatonic scale (the white keys on a piano). In<br />

addition to that finding, he has outlined four new theorems about rela-

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