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386 <strong>Suppressed</strong> <strong>Inventions</strong> <strong>and</strong> Other <strong>Discoveries</strong><br />

better telescopic photographs <strong>of</strong> the Moon 240,000 miles away, than those<br />

camera pictures taken only a few thous<strong>and</strong> miles from Mars. An important<br />

point to realize is that the probes carried cameras, not telescopes.<br />

Even NASA admitted that the cameras aboard the Mariners could not<br />

have provided evidence <strong>of</strong> a Martian civilization from their photographic<br />

distance. However, the publicly-released photos were quickly interpreted<br />

as disproving the canal controversy.<br />

What are space photographs in reality The "picture" is relayed back to<br />

Earth in the form <strong>of</strong> numerous dots, contained within a radio signal. The<br />

picture has to be reconstructed from this electronic message, by computer<br />

imaging each dot into a shade <strong>of</strong> gray. The first image processing is<br />

considered the raw picture, <strong>and</strong> is basically a washed-out, blurry gradation<br />

<strong>of</strong> gray. Then the imaging team can reassign the gray levels by computer,<br />

in order to better distinguish any identifiable spots or features on the raw<br />

picture. A slightly improved image is given to the public.<br />

American astronauts have said that the only visible man-made construction<br />

on Earth that they could see from their high orbit around our planet was<br />

the Great Wall <strong>of</strong> China. If there were a Great Wall on Mars <strong>and</strong> it turned<br />

up on one <strong>of</strong> the photographs, the space agency could still release the picture,<br />

but without the slightest trace <strong>of</strong> a wall. With computer imaging, it is<br />

easy to fade out features <strong>and</strong> erase contrast, to the point <strong>of</strong> an unidentifiable<br />

gray blotch. By starting with the original raw, washed-out picture, it is only<br />

a matter <strong>of</strong> re-assigning the gray levels so that the wall never appears during<br />

processing. On the <strong>other</strong> h<strong>and</strong>, if an<strong>other</strong> photograph shows a natural<br />

l<strong>and</strong>mark or feature, that picture can be electronically sharpened <strong>and</strong><br />

focused to show great detail. We have reached a new state <strong>of</strong> the art: we can<br />

increase or decrease picture quality by subtle electronic brushing.<br />

Now to clarify the situation regarding the canal evidence first discovered<br />

by Schiaparelli <strong>and</strong> Lowell through their telescopic studies. It was<br />

only "laid to rest" because authorities withheld <strong>of</strong>ficial confirmation.<br />

Mariner 4 did photograph some straight-line canals, <strong>and</strong> this was finally<br />

admitted some time later by Dr. William Pickering, the head <strong>of</strong> Jet<br />

Propulsion Laboratory. 2 (JPL conducts all the planetary projects for<br />

NASA.) Dr. Clyde Tombaugh, the scientist who discovered Pluto, also<br />

confirmed that the canals were photographed by the 1965 probe. But <strong>of</strong>ficially,<br />

this type <strong>of</strong> evidence has never been released. The public was<br />

shown computer-enhanced photographs, but the detailed originals were in<br />

the h<strong>and</strong>s <strong>of</strong> the authorities. And if the canals were filmed by that first<br />

probe, it is a certainty that they were filmed by later Mariner <strong>and</strong> Viking<br />

probes, yet that information has always been withheld. We'll discuss the<br />

censoring aspect relative to the later space missions thoroughly, but first<br />

let's continue with the telescopic record.

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