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The numismatic chronicle and journal of the Royal ... - IndianCoins.org

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28 NUMISMATIC CHRONICLE.<strong>the</strong> outline <strong>of</strong> <strong>the</strong> wingbehind with a harsh transversalline. <strong>The</strong> characteristic effect <strong>of</strong> <strong>the</strong> wing curvingforward like a halo in front <strong>of</strong> <strong>the</strong> head is thusdestroyed.Without denying <strong>the</strong> influence <strong>of</strong> sculpture, it mustbe said that <strong>the</strong> prevalent characteristics <strong>of</strong> both <strong>the</strong>above types are <strong>of</strong> <strong>the</strong> pictorial order. In <strong>the</strong> case <strong>of</strong><strong>the</strong> design with <strong>the</strong> source <strong>the</strong> whole background isfull <strong>of</strong> detail to an extent which certainly would notbe found in any contemporary work <strong>of</strong> architecturalrelief. It is true that in later Hellenistic times, when<strong>the</strong> painter's methods had gained a much greater holdon sculpture, parallels might be found for this variedtreatment <strong>of</strong> <strong>the</strong> background. But in <strong>the</strong> last quarter<strong>of</strong> <strong>the</strong> fifth century B.C., to which this coin belongs,such a phenomenon would have been non-existent.When we remember that precisely at this periodZeuxis made Kroton, <strong>the</strong> mo<strong>the</strong>r city <strong>of</strong> Terina, <strong>the</strong> centre<strong>of</strong> his activities, <strong>and</strong> was engaged in decorating <strong>the</strong>panels <strong>of</strong> <strong>the</strong> Temple<strong>of</strong> Hera Lakinia with a series <strong>of</strong>designs, amongst <strong>the</strong>m <strong>the</strong> celebrated Helen,it isdifficult not to accept Lenormant's view that <strong>the</strong>markedly pictorial style <strong>of</strong> <strong>the</strong>se <strong>and</strong> o<strong>the</strong>r more or lesscontemporary types <strong>of</strong> this part <strong>of</strong> Magna Graecia was dueto <strong>the</strong> influence <strong>of</strong> <strong>the</strong> great Italiote painter.<strong>The</strong> facingheads <strong>of</strong> Hera Lakinia that appear both on <strong>the</strong> coins <strong>of</strong>Kroton itself <strong>and</strong> <strong>of</strong> itsdaughter city P<strong>and</strong>osia, arenot improbably taken over from some well-known paintingon <strong>the</strong> temple walls. Equally pictorial are <strong>the</strong>reverse types with which <strong>the</strong>y are associated <strong>the</strong> seatedHerakles in <strong>the</strong> one case <strong>and</strong> <strong>the</strong> Pan in <strong>the</strong> o<strong>the</strong>r.<strong>The</strong> tendency to facing delineations illustrated by <strong>the</strong>head <strong>of</strong> Hera <strong>and</strong> <strong>the</strong> seated Pan, <strong>and</strong> <strong>the</strong> evolution <strong>of</strong> <strong>the</strong>

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