12.12.2020 Views

Dialogues in Cuban Archaeology

by L. Antonio Curet, Shannon Lee Dawdy, and Gabino La Rosa Corzo

by L. Antonio Curet, Shannon Lee Dawdy, and Gabino La Rosa Corzo

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

96 / L<strong>in</strong>ville<br />

ample, dur<strong>in</strong>g the celebration of the thirtieth anniversary of the SEC, the<br />

organization honored the many <strong>Cuban</strong>s who had over the years served as local<br />

guides for cave <strong>in</strong>vestigations throughout the country (Núñez Jiménez 1990).<br />

It is fortunate that <strong>in</strong> Cuba the sense of national pride, or patria, that has<br />

been identi¤ed <strong>in</strong> publications on <strong>Cuban</strong> archaeology (Davis 1996) extends to<br />

the general population. Indeed, the <strong>Cuban</strong> people broadly support the efforts<br />

of the Fundación de la Naturaleza y el Hombre, established by Núñez<br />

Jiménez, to cont<strong>in</strong>ue to achieve the goals de¤ned long ago by the young<br />

founders of the SEC. Among them is the conservation and celebration of the<br />

nation’s cultural patrimony located <strong>in</strong> caves.<br />

CONCLUSION<br />

For more than half a century, researchers throughout Cuba have participated<br />

<strong>in</strong> <strong>in</strong>terdiscipl<strong>in</strong>ary research efforts that have contributed to the steady accumulation<br />

of knowledge of Cuba’s caves and rock shelters. Among them are<br />

archaeologists and physical anthropologists who have meticulously recorded<br />

contextual data for the cultural expressions found on rock walls. Together,<br />

they cont<strong>in</strong>ue to update and re¤ne the considerable data that provided the<br />

basis for the 1975 publication by Núñez Jiménez, Cuba: Dibujos rupestres,<br />

which, after more than a quarter of a century, rema<strong>in</strong>s the most comprehensive<br />

assessment of <strong>Cuban</strong> rock art sites ever published (La Rosa Corzo 1994).<br />

As new theories emerge to guide rock art research, the substantial contributions<br />

to our knowledge of <strong>Cuban</strong> rock art by Núñez Jiménez, Rivero de la<br />

Calle, Dacal Moure, and other members of the SEC will cont<strong>in</strong>ue to provide<br />

the foundation for future efforts to understand not only the images pa<strong>in</strong>ted<br />

onto, <strong>in</strong>cised <strong>in</strong>to, or sculpted out of stone but also the cultural context of<br />

those who left these endur<strong>in</strong>g transformations on the <strong>Cuban</strong> landscape.<br />

ACKNOWLEDGMENTS<br />

With fond memories and an enormous sense of gratitude, I dedicate this<br />

work to my friend and colleague, the late Dr. Manuel Rivero de la Calle,<br />

whose humanity, academic generosity and sense of humor I will never forget.<br />

In addition to shar<strong>in</strong>g his extensive knowledge of <strong>Cuban</strong> archaeology,<br />

Dr. Rivero also <strong>in</strong>troduced me to his longtime friend and colleague, the late<br />

Ramón Dacal Moure, whose friendship and <strong>in</strong>calculable efforts on my behalf

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!