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Dialogues in Cuban Archaeology

by L. Antonio Curet, Shannon Lee Dawdy, and Gabino La Rosa Corzo

by L. Antonio Curet, Shannon Lee Dawdy, and Gabino La Rosa Corzo

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The Organization of <strong>Cuban</strong> <strong>Archaeology</strong> / 47<br />

<strong>in</strong>stitute supported Rouse’s archaeological work <strong>in</strong> the Maniabon Hills of<br />

northeastern Cuba and Osgood’s work at Cayo Redondo <strong>in</strong> P<strong>in</strong>ar del Rio.<br />

Their <strong>in</strong>vestigations resulted <strong>in</strong> two publications: Cornelius Osgood’s The<br />

Ciboney Culture of Cayo Redondo, Cuba (1942) and Irv<strong>in</strong>g Rouse’s <strong>Archaeology</strong><br />

of the Maniabon Hills, Cuba (1942). These works represent the last published<br />

U.S. research effort <strong>in</strong> Cuba until the 1990s. Their work, and that of their<br />

U.S. predecessors, <strong>in</strong>®uenced several generations of <strong>Cuban</strong> archaeologists and<br />

cont<strong>in</strong>ues to be referenced by contemporary <strong>Cuban</strong> archaeologists.<br />

ARCHAEOLOGY AFTER THE REVOLUTION<br />

Nationalization<br />

The study of history was an important concern from the onset of the Revolution.<br />

The Revolution drew upon the historical conditions that had created<br />

and perpetuated social <strong>in</strong>equities, <strong>in</strong>equities that had also threatened Cuba’s<br />

national identity (Pérez 1999). Jorge Domínguez (1993:96) notes that the l<strong>in</strong>k<strong>in</strong>g<br />

to <strong>Cuban</strong> history was critical <strong>in</strong> the forg<strong>in</strong>g of a new <strong>Cuban</strong> national<br />

identity dist<strong>in</strong>ct from the regime of Fulgencio Batista (batistato). Accord<strong>in</strong>g<br />

to Pérez, “Fidel Castro, the 26 of July Movement, which he led, and other<br />

revolutionary forces that had participated <strong>in</strong> the revolutionary war, sought to<br />

af¤rm <strong>Cuban</strong> nationalism. In the symbols used and histories evoked, <strong>in</strong> the problems<br />

diagnosed and solutions proposed, there was a strong emphasis on enabl<strong>in</strong>g<br />

<strong>Cuban</strong>s to take charge of their history” (Pérez 1995:315, italics added). Pérez also<br />

notes that “by attack<strong>in</strong>g the past that had created these hardships, the revolutionary<br />

leadership struck a responsive chord that <strong>in</strong>itially cut across l<strong>in</strong>es of<br />

class and race and served to unite <strong>Cuban</strong>s of almost all political persuasions.<br />

It aroused extraord<strong>in</strong>ary enthusiasm for la revolución and, as ambiguously de-<br />

¤ned as it was, it could mean all th<strong>in</strong>gs to all people. Aroused too was a<br />

powerful sense of nationalism, one summoned by the revolution and soon<br />

<strong>in</strong>dist<strong>in</strong>guishable from it” (Pérez 1995:315).<br />

Respect for and pride <strong>in</strong> the past were clearly evident <strong>in</strong> early postrevolutionary<br />

government proclamations. In 1959, the <strong>Cuban</strong> government created<br />

the National Commission for Historical Monuments, which is housed <strong>in</strong> the<br />

M<strong>in</strong>istry of Culture. In 1966, the government created the Council of State of<br />

the Republic of Cuba and the National People’s Assembly. The ¤rst two laws<br />

that were approved by the assembly were for the protection and restoration of<br />

historical monuments. The Department of Museums, which oversees the<br />

country’s museums, is also situated <strong>in</strong> the M<strong>in</strong>istry of Culture.<br />

With the creation of the <strong>Cuban</strong> Academy of Sciences (CAS) <strong>in</strong> 1962, or-

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