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Dialogues in Cuban Archaeology

by L. Antonio Curet, Shannon Lee Dawdy, and Gabino La Rosa Corzo

by L. Antonio Curet, Shannon Lee Dawdy, and Gabino La Rosa Corzo

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Rock Art Research <strong>in</strong> Cuba / 79<br />

5.2. Rolando T. Escardó (left) and Antonio Núñez Jiménez study<strong>in</strong>g pictographs pa<strong>in</strong>ted<br />

<strong>in</strong> red <strong>in</strong> the Cueva de Pichardo, Sierra de Cubitas. Photograph by Manuel Rivero de la<br />

Calle, 1956. Published with permission of Daniel Rivero de la Calle.<br />

north of a house where José Martí once lived. The cave had long been known<br />

as the Cueva del Indio, hav<strong>in</strong>g yielded human rema<strong>in</strong>s, the discovery of which<br />

was recorded by local of¤cials on May 5, 1911 (Rivero de la Calle 1966). 11 The<br />

rema<strong>in</strong>s may have been those of <strong>in</strong>digenous people who had been buried <strong>in</strong><br />

the cave, but the report does not clarify this view. Rivero de la Calle and<br />

Gilberto Silva discovered <strong>in</strong> this cave a draw<strong>in</strong>g of ¤ve concentric circles similar<br />

to those recorded at Punta del Este, which extended the distribution of this<br />

motif on the island beyond the southern zone (Rivero de la Calle 1966:96).<br />

Of Rivero de la Calle’s many contributions to rock art research <strong>in</strong> Cuba,<br />

perhaps the most signi¤cant is the discovery that he and Mario Orlando<br />

Pariente Pérez made <strong>in</strong> August 1961 of pictographs <strong>in</strong> the Cueva de Ambrosio,

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