Dialogues in Cuban Archaeology

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The Ceramic Art of Agricultural Groups in the Antilles / 153 8.4. Batrachiform designs on burenes or clay griddles (right column) and other artifacts (left column) (after Arrom 1975: Figure 60; Godo and Celaya 1990:170–172; Harrington 1975: Figure 86). In the past few years, I have identi¤ed new designs in burenes where the image of the frog is simpli¤ed into motifs or geometric expressions through a process of schematization of the batrachian elements (Figure 8.6). Petitjean’s (1978) study helps us understand the central motif of the back legs and its derived representations, including the most complex one that constitutes a double spiral, presumed to combine four distinct elements (Figure 8.7). If the motif of the back leg evokes the whole animal, then its duplications indicate multiple individuals in numbers of two and four. These groupings I interpret as twin-frogs. The zoomorphic trans¤guration of the twins is very evident in mythical references. In one version, Shikie’ mona and Ivreke were born from two ¤sh spawns and raised by Kawao, the woman-frog, who at the end of the story is transformed into a ¤sh (López Baralt 1977). In addition, Oliver (1998) has convincingly identi¤ed the twin-frogs in the iconogra-
8.5. Batrachiform designs: (a) complex batrachiform representation duplicated on a burén or clay griddle from Cuba (after Godo and Celaya 1990:180); (b) note the presence of twins and the similar structure and design to the previous burén (a) (after Chanlatte 1984: Lámina 37); (c) structural arrangement of ceramic designs from Sorcé, Puerto Rico, compared with the design of a Cuban burén (a). 8.6. Reconstruction of the design on burenes or clay griddles associated with the schematization of batrachians
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DIALOGUES IN CUBAN ARCHAEOLOGY
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Copyright © 2005 The University of
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Contents List of Figures List of Ta
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Figures 1.1. Map of Cuba 23 2.1. Wo
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Figures / xi 9.9. Butcher marks by
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Acknowledgments Both the spirit and
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DIALOGUES IN CUBAN ARCHAEOLOGY
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2 / Dawdy, Curet, and La Rosa Corzo
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10 / Dawdy, Curet, and La Rosa Corz
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Part I History of Cuban Archaeology
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30 / Dacal Moure and Watters The So
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32 / Dacal Moure and Watters widely
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34 / Dacal Moure and Watters chaeol
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36 / Dacal Moure and Watters ship,
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38 / Dacal Moure and Watters In spi
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40 / Dacal Moure and Watters jail f
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42 / Berman, Febles, and Gnivecki 3
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44 / Berman, Febles, and Gnivecki f
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46 / Berman, Febles, and Gnivecki l
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48 / Berman, Febles, and Gnivecki g
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54 / Berman, Febles, and Gnivecki l
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56 / Berman, Febles, and Gnivecki d
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58 / Berman, Febles, and Gnivecki i
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60 / Berman, Febles, and Gnivecki i
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4 / Historical Archaeology in Cuba
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64 / Domínguez and that we have an
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66 / Domínguez our current efforts
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68 / Domínguez been designated a m
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70 / Domínguez since many of these
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5 / Cave Encounters Rock Art Resear
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74 / Linville est of Indocuban pict
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76 / Linville 5.1. Drawing of the
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78 / Linville investigating the “
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80 / Linville 5.3. Manuel Rivero de
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86 / Linville DISTRIBUTION OF ROCK
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88 / Linville caves contained just
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Rock Art Research in Cuba / 91 twee
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Rock Art Research in Cuba / 93 dom)
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Rock Art Research in Cuba / 95 pret
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Rock Art Research in Cuba / 97 are
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Rock Art Research in Cuba / 99 grap
Page 122 and 123: 6 / Approaches to Early Ceramics in
Page 124 and 125: Early Ceramics in the Caribbean / 1
Page 144 and 145: 7 / El Chorro de Maíta Social Ineq
Page 146 and 147: El Chorro de Maíta / 127 evidence
Page 148 and 149: El Chorro de Maíta / 129 the right
Page 150 and 151: El Chorro de Maíta / 131 El Chorro
Page 152 and 153: El Chorro de Maíta / 133 7.2. Map
Page 154 and 155: 7.3. Sketch of Excavation Unit 3 wi
Page 156 and 157: El Chorro de Maíta / 137 Delmonte
Page 158 and 159: El Chorro de Maíta / 139 symbolic
Page 160 and 161: El Chorro de Maíta / 141 ability a
Page 162 and 163: El Chorro de Maíta / 143 second la
Page 164 and 165: El Chorro de Maíta / 145 In spite
Page 166 and 167: 8 / Mythical Expressions in the Cer
Page 168 and 169: 8.1. Examples of turtle theme handl
Page 170 and 171: The Ceramic Art of Agricultural Gro
Page 182 and 183: 9 / Subsistence of Cimarrones An Ar
Page 184 and 185: Subsistence of Cimarrones / 165 lan
Page 186: Subsistence of Cimarrones / 167 us
Page 189 and 190: 170 / La Rosa Corzo 9.4. Distributi
Page 191 and 192: 9.6. Degree of completeness of the
Page 193 and 194: 174 / La Rosa Corzo 9.9. Butcher ma
Page 195 and 196: 176 / La Rosa Corzo was located clo
Page 197 and 198: 178 / La Rosa Corzo legal character
Page 199 and 200: 180 / La Rosa Corzo machetes and a
Page 201 and 202: 182 / Singleton 10.1. Map of the Ca
Page 203 and 204: 10.3. Picture of the wall surroundi
Page 205 and 206: 186 / Singleton HISTORICAL BACKGROU
Page 207 and 208: 10.5. Map of the Cafetal del Padre
Page 209 and 210: 190 / Singleton majority of the art
Page 211 and 212: 192 / Singleton gan 1991:1). On man
Page 213 and 214: 194 / Singleton wares has been gene
Page 215 and 216: 196 / Singleton 2002). They have be
Page 217 and 218: 198 / Singleton seriously consideri
Page 219 and 220: 11 / Afterword Samuel M. Wilson I a
Page 221 and 222: 202 / Wilson A growing number of U.
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204 / References Cited Anderson, B.
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206 / References Cited Calvera, J.,
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208 / References Cited De Booy, T.
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210 / References Cited Flannery, K.
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212 / References Cited 1996 La muer
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214 / References Cited Jouravleva,
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216 / References Cited López Baral
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218 / References Cited Núñez Jim
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220 / References Cited Pendergast,
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222 / References Cited Rivero, A. R
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224 / References Cited Shepherd, N.
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226 / References Cited Trincado, M.
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228 / References Cited Whitley, D.
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230 / Contributors Ramón Dacal Mou
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232 / Contributors adjunct lecturer
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Index Academia de Ciencias de Cuba,
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Index / 237 Cruxent, José M., 108
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Index / 239 Maroon. See cimarrón M
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Index / 241 Society of Historians,
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