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Dialogues in Cuban Archaeology

by L. Antonio Curet, Shannon Lee Dawdy, and Gabino La Rosa Corzo

by L. Antonio Curet, Shannon Lee Dawdy, and Gabino La Rosa Corzo

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El Chorro de Maíta / 139<br />

symbolic objects. Vega (1979), <strong>in</strong> an extensive revision of historic Antillean<br />

metal use, stresses the especially valuable character of the objects elaborated<br />

from the alloy of gold, copper, and silver called guanín. The guaníns constituted<br />

rare high-status objects that had to be imported from South America<br />

(Vega 1979:54). Accord<strong>in</strong>g to Oliver (2000:213–215), they represented a metaphor<br />

of the div<strong>in</strong>e and celestial that was supported by diverse myths and gave<br />

the cacique his/her sacred nature. Because of its similarity to guanín, the latón<br />

or brass (copper-z<strong>in</strong>c alloy) brought by Europeans acquired the same sociocultural<br />

value and symbolic connotation. The gold was used <strong>in</strong> body ornaments<br />

and <strong>in</strong> the decorations of ceremonial objects to give them special powers<br />

(Oliver 2000:215). Some symbols of command were also detailed with this<br />

metal (Alegría 1980:11), and the names of several important caciques or chiefs<br />

from Hispaniola <strong>in</strong>clude a version of this term (Vega 1979:52, 55).<br />

The four lam<strong>in</strong>ar pendants and the bell found with burial 57 (see Figure<br />

7.4) present a proportion of gold, copper, silver, and silicon (Guarch Delmonte<br />

1996:24) <strong>in</strong> agreement with the ranges identi¤ed by Siegel and Sever<strong>in</strong><br />

(1993:76) to estimate the presence of guanín. The possibility that other pieces<br />

conta<strong>in</strong><strong>in</strong>g gold, copper, and silver, but not analyzed quantitatively, could represent<br />

guaníns should not be ruled out.<br />

In addition to the metals, the probable coral, pearl, and res<strong>in</strong> beads and the<br />

earspool made of res<strong>in</strong> must have been highly esteemed. Their forms, materials,<br />

and dimensions required a complex manufactur<strong>in</strong>g process and a careful<br />

process of extraction. As evidence, we can po<strong>in</strong>t to microbeads found <strong>in</strong><br />

burial no. 57 that orig<strong>in</strong>ally were thought to be made of shell (Guarch Delmonte<br />

1996:22). It has s<strong>in</strong>ce been determ<strong>in</strong>ed that they are made of quartzite.<br />

These pieces are exceptionally small, with a diameter of 1.5 mm and a thickness<br />

of 1 mm, and they were produced from a very hard material. These beads<br />

exemplify the degree of complexity that the producers had to face and their<br />

level of technical skills.<br />

The objects associated with burials are also signi¤cant for their rarity. The<br />

res<strong>in</strong> beads and ear spools, the pearl beads, and the possible coral beads have<br />

not been discovered on any other site <strong>in</strong> Cuba, nor have quartzite beads of<br />

such small size been found. The metal pieces have appeared only <strong>in</strong> four places<br />

<strong>in</strong> Banes, and they always consist of a s<strong>in</strong>gle object (Valcárcel 1999:89). This<br />

dearth of ornaments holds true for the rest of Cuba (Guarch Delmonte<br />

1996:24). In El Chorro de Maíta, however, there are 9 objects of gold or gold<br />

alloyed with copper and silver, a metallic disk <strong>in</strong> burial no. 25, and 28 metallic<br />

tubular objects between the complete and broken pieces (Valcárcel 2002b).

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