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Dialogues in Cuban Archaeology

by L. Antonio Curet, Shannon Lee Dawdy, and Gabino La Rosa Corzo

by L. Antonio Curet, Shannon Lee Dawdy, and Gabino La Rosa Corzo

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12 / Dawdy, Curet, and La Rosa Corzo<br />

the urban renewal of Havana, where previously privately owned residences <strong>in</strong><br />

Old Havana (the orig<strong>in</strong>al colonial town) are be<strong>in</strong>g adapted <strong>in</strong>to multifamily<br />

units for poor families <strong>in</strong> a way that restores their historic beauty. In Revolutionary<br />

Cuba, archaeology is part of social progress. In the United States, it is<br />

viewed as a gnatty impediment to progress or at best an irrelevant amusement.<br />

I found that rather than the politics of the Revolution h<strong>in</strong>der<strong>in</strong>g archaeological<br />

research, <strong>in</strong> my sub¤eld they had stimulated it. <strong>Cuban</strong> archaeologists<br />

have been given carte blanche to pursue their research <strong>in</strong> the historic district<br />

of Havana <strong>in</strong> a way unimag<strong>in</strong>able <strong>in</strong> our “free,” capitalist society, where scholarly<br />

pursuits are actually quite restricted by private property rights and pro¤t<br />

orientation. Certa<strong>in</strong>ly, much of Havana’s urban archaeology is motivated<br />

by the pride of <strong>Cuban</strong>s <strong>in</strong> their heritage. It also serves explicitly nationalist<br />

narrative-build<strong>in</strong>g by the <strong>Cuban</strong> government, but one should not be too<br />

quick to disparage the outcomes of nationalist or civic-m<strong>in</strong>ded archaeology.<br />

Were there more of it <strong>in</strong> the United States, I suspect we would be able to ¤ll<br />

<strong>in</strong> a lot of nagg<strong>in</strong>g research gaps, not to mention be able to block the destruction<br />

of prehistoric mound sites, colonial forts, and historic cemeteries by the<br />

private developer’s backhoe.<br />

The <strong>in</strong>commensurability of the state of urban archaeology <strong>in</strong> New Orleans<br />

and Havana was one of the reasons I decided to abandon my ambition for a<br />

comparative project <strong>in</strong> the form of a dissertation. I needed ¤rst to get archaeology<br />

up to snuff back home (which itself may take a revolution, at least <strong>in</strong><br />

the way public money is allocated <strong>in</strong> Louisiana). The second reason was perhaps<br />

more predictable. The prickly bureaucracies of both countries, built on<br />

a history of mutual fear, resentment, and downright pett<strong>in</strong>ess, made me worry<br />

that permitt<strong>in</strong>g hang-ups could prolong the completion of my degree <strong>in</strong>term<strong>in</strong>ably.<br />

I imag<strong>in</strong>ed be<strong>in</strong>g left forgotten <strong>in</strong> a jail cell somewhere, all because<br />

of some paperwork peccadillo. I had slipped <strong>in</strong>to Cuba dur<strong>in</strong>g a period when<br />

regulations were be<strong>in</strong>g loosened for research travel <strong>in</strong> the late Cl<strong>in</strong>ton era. The<br />

election of George W. Bush <strong>in</strong> 2000, I feared, would have a cool<strong>in</strong>g effect on<br />

Cuba-U.S. relations.<br />

This has <strong>in</strong>deed happened on the diplomatic front with a war of words<br />

explod<strong>in</strong>g between the U.S. and <strong>Cuban</strong> governments soon after September 11,<br />

2001. In May 2004, the Bush adm<strong>in</strong>istration imposed new travel and humanitarian<br />

aid restrictions on U.S. citizens travel<strong>in</strong>g to Cuba. Recently, the U.S.<br />

Treasury has even attempted to restrict the exchange of ideas by prohibit<strong>in</strong>g<br />

U.S. publishers from edit<strong>in</strong>g or market<strong>in</strong>g works by <strong>Cuban</strong> authors, a condition<br />

which has delayed the publication of this very volume. There is no more

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