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Dialogues in Cuban Archaeology

by L. Antonio Curet, Shannon Lee Dawdy, and Gabino La Rosa Corzo

by L. Antonio Curet, Shannon Lee Dawdy, and Gabino La Rosa Corzo

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Slavery at a <strong>Cuban</strong> Coffee Plantation / 193<br />

beverages, were probably not provisioned to the enslaved community. All of<br />

the pipe bowls are mold-made and were presumably mass-produced imports.<br />

Several of the bowls are similar to those manufactured <strong>in</strong> the Cataluña region<br />

of Spa<strong>in</strong> (Arrazcaeta Delgado 1987). Maroon sites have yielded both locally<br />

made and imported pipes. The latter are believed to have been purchased<br />

from rural stores when the maroons were enslaved (La Rosa Corzo and Pérez<br />

Padrón 1994:128 ).<br />

Many of the objects recovered from the El Padre slave village are remarkably<br />

similar to, and <strong>in</strong> some cases identical to, those artifacts found at slave<br />

sites both <strong>in</strong> the United States and elsewhere <strong>in</strong> the Caribbean, such as English<br />

tablewares and blue glass beads from Bohemia (present-day Czech Republic).<br />

The major differences are <strong>in</strong> the ceramic assemblages. All of the<br />

coarse earthenwares are of either Spanish or Spanish-American orig<strong>in</strong>. They<br />

<strong>in</strong>clude majolicas such as Triana blue-on-white and polychrome from Spa<strong>in</strong><br />

and Aucilla polychrome from Mexico; utilitarian wares such as El Morro, possibly<br />

imported or made locally <strong>in</strong> Cuba; and red-slipped pottery from Mexico<br />

and Central America.<br />

Only two sherds of hand-built pottery comparable to either colono wares<br />

(Ferguson 1992) or the Afro-Caribbean wares (e.g., Armstrong 1999; Petersen<br />

et al. 1999) have been identi¤ed. Referred to as criolla ware <strong>in</strong> Cuba, this<br />

pottery has been recovered from numerous colonial-period sites dat<strong>in</strong>g between<br />

the sixteenth and n<strong>in</strong>eteenth centuries, but it has been primarily associated<br />

with people who are identi¤ed as Amer<strong>in</strong>dian or of mixed Amer<strong>in</strong>dian<br />

and African heritage. Even as late as the 1830s, a Spaniard visit<strong>in</strong>g Cuba noted<br />

a family of potters liv<strong>in</strong>g <strong>in</strong> Guanabacoa, a present-day suburb of Havana city,<br />

self-identi¤ed as “Indians” and produc<strong>in</strong>g earthenware cook<strong>in</strong>g pots, jars, and<br />

bowls (Andueza 1841:159). The two fragments recovered from El Padre were<br />

apparently from a large, globular vessel known as a pote used for prepar<strong>in</strong>g<br />

slow-cooked foods (Lourdes Domínguez, personal communication, 2002), <strong>in</strong><br />

much the same way colonoware was used <strong>in</strong> the southern United States. The<br />

sherds are heavily charred, <strong>in</strong>dicat<strong>in</strong>g that this vessel was well used.<br />

With only two fragments, it is not possible to make a case for slave production<br />

of criolla pottery at El Padre. It is more likely that the users of this<br />

vessel acquired it through trade. Pottery-mak<strong>in</strong>g was perhaps unnecessary for<br />

enslaved workers at El Padre or at other <strong>Cuban</strong> plantations because of the<br />

availability of a variety of utilitarian earthenwares and iron pots for cook<strong>in</strong>g.<br />

However, the absence of pottery-mak<strong>in</strong>g may also speak to slave demography<br />

<strong>in</strong> Cuba and sex ratios at El Padre. The production of Afro-Caribbean

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