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Dialogues in Cuban Archaeology

by L. Antonio Curet, Shannon Lee Dawdy, and Gabino La Rosa Corzo

by L. Antonio Curet, Shannon Lee Dawdy, and Gabino La Rosa Corzo

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148 / Godo<br />

THE TURTLE: THE FEMALE<br />

AND MOTHER OF HUMANITY<br />

My ¤rst entry <strong>in</strong>to this research brought me to the topic of the mythical turtle<br />

materialized <strong>in</strong> the ceramics of El Morrillo (Godo 1985), a well-excavated,<br />

late-period site <strong>in</strong> western Cuba (a.d. 1360) (Payarés 1980). The lack of <strong>in</strong>cis<strong>in</strong>g<br />

on the rims or shoulder panels of ceramic vessels was dist<strong>in</strong>ctive <strong>in</strong> this<br />

collection, composed of thousands of ceramic fragments, <strong>in</strong>clud<strong>in</strong>g 3,885<br />

sherds from nondisturbed areas (24 m 2 and an average depth of 0.45 m).<br />

Among the modeled handles, only six examples re-created the traditional zoomorphic<br />

images (frogs, bats, and turtles), and no sign of anthropomorphism<br />

was observed. However, of a total of 54 handles collected <strong>in</strong> the site, 63 percent<br />

were dist<strong>in</strong>guished by their curved forms and their tendency to project<br />

toward the center or the ends of the vessels. One specimen was key for the<br />

reconstruction of what I have suggested to be a series of ¤gures represent<strong>in</strong>g<br />

the turtle theme (Figure 8.1a). In the center portion of the handle appears a<br />

head, out from which project some lateral appendages re<strong>in</strong>forced by <strong>in</strong>cised<br />

l<strong>in</strong>ear decorations that may represent the front extremities of the animal.<br />

In other examples, the head of the turtle seems to have disappeared while<br />

the handle ma<strong>in</strong>ta<strong>in</strong>s its projections and a general structure (Figures 8.1b–h).<br />

Their numeric dom<strong>in</strong>ance over other types of handles corresponds to a strong<br />

synthesis, resembl<strong>in</strong>g types such as the coil or cleat lug handles (Figure 8.2)<br />

identi¤ed by Rouse (1942) and the <strong>Cuban</strong> archaeologists of the Grupo Guamá<br />

( Junta Nacional de Arqueología y Etnología 1951; see also Dacal Moure,<br />

Chapter 2, and Berman et al., Chapter 3). Clearly, the turtle element was<br />

identi¤able <strong>in</strong> pieces with non¤gurative forms and held a special place <strong>in</strong> the<br />

particular context of El Morrillo pottery. It is the most popular theme <strong>in</strong><br />

the ceramics of this coastal site, where agriculture was signi¤cantly supplemented<br />

by the mar<strong>in</strong>e economy, particularly through a large consumption of<br />

Chelonias or sea turtles. Although a thorough faunal analysis has not been<br />

conducted, the excavation reports mention the presence of large quantities of<br />

sea turtle rema<strong>in</strong>s, third only to the amount of sea shells and jutías (a large<br />

native rodent). Dur<strong>in</strong>g the excavations, Payarés (1980) observed this pattern<br />

throughout the archaeological deposits. Sea turtles appear to have contributed<br />

a larger biomass to the diet than any other faunal species recovered from the<br />

site. Therefore, the turtle did not represent a protected or taboo ¤gure but<br />

perhaps a community emblem of group self-identi¤cation.<br />

In the last few years, I have extended the results of El Morrillo to the study

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