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Dialogues in Cuban Archaeology

by L. Antonio Curet, Shannon Lee Dawdy, and Gabino La Rosa Corzo

by L. Antonio Curet, Shannon Lee Dawdy, and Gabino La Rosa Corzo

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196 / S<strong>in</strong>gleton<br />

2002). They have been found on several slave sites <strong>in</strong> the Americas, <strong>in</strong>clud<strong>in</strong>g<br />

Tennessee (Russell 1997:75), Jamaica (Armstrong 1990:137–138), and Montserrat<br />

(Pulsipher and Goodw<strong>in</strong> 1999:17, 30n.57). These artifacts have been <strong>in</strong>terpreted<br />

as gam<strong>in</strong>g pieces, and <strong>in</strong> the Caribbean they are associated with games<br />

of chance. Lydia Pulsipher and Conrad Goodw<strong>in</strong> describe a gambl<strong>in</strong>g game<br />

that modern Montserratians play that they call “Ch<strong>in</strong>ey Money” <strong>in</strong> which<br />

three ceramic disks are thrown on a table and the arrangement <strong>in</strong> which the<br />

pieces land determ<strong>in</strong>es the thrower’s score.<br />

How these ceramic discs were used <strong>in</strong> Cuba is unknown. Throw<strong>in</strong>g objects<br />

(e.g., cowries, beads, or seeds) and us<strong>in</strong>g the arrangement <strong>in</strong> which the objects<br />

fall to determ<strong>in</strong>e the course of action is a key pr<strong>in</strong>ciple of div<strong>in</strong>ation <strong>in</strong><br />

African-<strong>in</strong>®uenced religions <strong>in</strong> the Americas. I have observed modern-day<br />

practitioners of the Afro-<strong>Cuban</strong> religion Santería use pieces of coconuts <strong>in</strong> this<br />

way. The number and arrangement of the white <strong>in</strong>teriors versus the brown<br />

exteriors of the coconut pieces that land fac<strong>in</strong>g upward <strong>in</strong>dicate how the<br />

person seek<strong>in</strong>g advice is to proceed. In a similar ve<strong>in</strong>, all of the ceramic discs<br />

are decorated on the exterior side and undecorated on the <strong>in</strong>terior side. It is<br />

possible that <strong>in</strong> Cuba these discs were used <strong>in</strong> a fashion similar to the coconut<br />

fragments and other objects used <strong>in</strong> div<strong>in</strong><strong>in</strong>g. Gambl<strong>in</strong>g games, however,<br />

should not be ruled out as a possibility for the use of these artifacts <strong>in</strong><br />

Cuba. Juegos de envite (bett<strong>in</strong>g games) that utilized gam<strong>in</strong>g pieces were played<br />

throughout the Spanish colonial empire <strong>in</strong> the eighteenth and n<strong>in</strong>eteenth centuries<br />

(Lourdes Domínguez, personal communication, 2002).<br />

The ceramic discs, tobacco pipes, and ceramic glass bottles that once conta<strong>in</strong>ed<br />

alcoholic beverages are suggestive of slave recreational activities and<br />

perhaps religious activities as well. José Antonio Yar<strong>in</strong>i, a <strong>Cuban</strong> slaveholder,<br />

observed enslaved <strong>Cuban</strong>s on his sugar plantation us<strong>in</strong>g “a bottle of brandy,<br />

a pipe with tobacco, a cudgel belong<strong>in</strong>g to a former overseer, and rooster<br />

feathers” <strong>in</strong> a funeral offer<strong>in</strong>g for a deceased slave (Barcia Paz 1998:27). While<br />

mak<strong>in</strong>g a claim that these items were used <strong>in</strong> religious practices requires<br />

¤nd<strong>in</strong>g them <strong>in</strong> a context suggestive of a religious offer<strong>in</strong>g, Yar<strong>in</strong>i’s account<br />

rem<strong>in</strong>ds archaeologists that many of the objects recovered from slave sites had<br />

uses other than what appears to be obvious. Objects like the ceramic discs,<br />

pipes, and even bottle glass are examples of multivalent artifacts—those conta<strong>in</strong><strong>in</strong>g<br />

multiple mean<strong>in</strong>gs and purposes (Perry and Paynter 1999:303–304).<br />

Slave Resistance<br />

Slave resistance took many forms <strong>in</strong> slave societies throughout the Americas,<br />

<strong>in</strong>clud<strong>in</strong>g Cuba. The wall enclosure around the slave village at El Padre was

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