Dialogues in Cuban Archaeology
by L. Antonio Curet, Shannon Lee Dawdy, and Gabino La Rosa Corzo
by L. Antonio Curet, Shannon Lee Dawdy, and Gabino La Rosa Corzo
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The Organization of <strong>Cuban</strong> <strong>Archaeology</strong> / 43<br />
the “¤rst <strong>Cuban</strong> rebel” and the ¤rst martyr for <strong>Cuban</strong> <strong>in</strong>dependence, has been<br />
immortalized and popularized by serv<strong>in</strong>g as the logo for Hatuey beer. As all<br />
<strong>Cuban</strong>s know, the Spanish captured him and burned him at the stake on<br />
February 2, 1512. The Rey del Mundo-Taíno, one of Cuba’s most expensive<br />
cigars, features a picture of a Taíno Indian. A popular tourist hotel located <strong>in</strong><br />
Guama features a reconstructed Amer<strong>in</strong>dian village. These ¤gures and images,<br />
associated with contemporary economic production, are very much a<br />
part of <strong>Cuban</strong> identity. As viewed by Fernando Ortiz, materials such as tobacco<br />
and sugar are “highly complex metaphorical constructs that represent<br />
at once material th<strong>in</strong>gs and human actors” (Coronil 1995:xxvii). Prehistory,<br />
though represented through these popular but highly symbolic and ideologically<br />
rich images, is taken seriously <strong>in</strong> Cuba. The work of archaeologists has<br />
supported the revolutionary agenda by contribut<strong>in</strong>g signi¤cantly to the construction<br />
of the country’s history through the lens of Marxism and Historical<br />
Materialism.<br />
THE FOUNDATION OF CUBAN ARCHAEOLOGY<br />
The N<strong>in</strong>eteenth Century<br />
Interest <strong>in</strong> archaeological rema<strong>in</strong>s was well established <strong>in</strong> Cuba prior to the<br />
Revolution and can be viewed as a long-stand<strong>in</strong>g expression of pride <strong>in</strong> national<br />
heritage that is also re®ected <strong>in</strong> the works of numerous n<strong>in</strong>eteenthcentury<br />
writers such as José Martí, the <strong>Cuban</strong> national poet. As Fernández<br />
Leiva (1992) and Davis (1996) have po<strong>in</strong>ted out, a strong sense of patria<br />
(fatherland) and curiosity about the archaeological history of the country existed<br />
before the Revolution. This earliest work was highly descriptive and<br />
speculative and was performed by schoolteachers, eng<strong>in</strong>eers, and doctors, who<br />
pursued their <strong>in</strong>terests as an elite avocation. Dur<strong>in</strong>g the later part of the century,<br />
the study of the past began to become more scholarly. While archaeology<br />
had not yet become a formally recognized science, several scienti¤c papers<br />
were published that brought local ¤nd<strong>in</strong>gs to the attention of scholars outside<br />
of Cuba. Excellent summaries of these early works can be found <strong>in</strong> Ortiz<br />
(1922a) and Fernández Leiva (1992). Fewkes (1904) and Rouse (1942) both<br />
provide overviews <strong>in</strong> English. Rouse’s summary relates speci¤cally to the<br />
history of archaeological <strong>in</strong>vestigation <strong>in</strong> the Maniabon Hills area <strong>in</strong> northcentral<br />
Cuba.<br />
Fernández Leiva (1992:33) regards the work of Andrés Poey as mark<strong>in</strong>g<br />
the beg<strong>in</strong>n<strong>in</strong>g of archaeological study <strong>in</strong> Cuba. Poey’s 1847 discovery of a