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Iranians and Greeks in South Russia - Robert Bedrosian's Armenian ...

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58<br />

THE CIMMERIANS AND THE<br />

a metal disk, the hollow parts filled with some black substance (fig. 6).<br />

parallels are to be found both<br />

This technique also is purely Oriental :<br />

<strong>in</strong> Babylonia <strong>and</strong> Assyria <strong>and</strong> <strong>in</strong> Egypt. It is particularly <strong>in</strong>terest<strong>in</strong>g<br />

to note, that the same processes were used for similar objects <strong>in</strong> Transcaucasia<br />

at the end of the bronze <strong>and</strong> at the beg<strong>in</strong>n<strong>in</strong>g of the iron age :<br />

we have many tombs from this period, thanks to the excavations of<br />

Belck, Roessler, Ivanovski <strong>and</strong> others, <strong>and</strong> some of them are astonish<strong>in</strong>gly<br />

rich : <strong>in</strong> nearly every tomb we f<strong>in</strong>d roundels like those of the<br />

Kuban, <strong>and</strong> openwork pendants, often <strong>in</strong> the form of birds or animals,<br />

the cavities filled with black <strong>in</strong>lay. The same technique was <strong>in</strong><br />

frequent use for sword-hilts <strong>and</strong> other articles. We may be sure that<br />

<strong>in</strong> this matter Transcaucasia acted as the <strong>in</strong>termediary between the<br />

Euphrates valley <strong>and</strong> Northern Caucasus. We must avoid, however,<br />

the common error of attribut<strong>in</strong>g the Transcaucasian tombs to the<br />

Chaldian k<strong>in</strong>gdom of Van. That k<strong>in</strong>gdom, as far as we know, is<br />

it adopted,<br />

subsequent to the prehistoric civilization of Transcaucasia ;<br />

with only sHght modification, the culture of Assyria.<br />

It is more difficult to class the animal style of objects from the<br />

sixth-century Scythian tombs, both <strong>in</strong> the Kuban <strong>and</strong> elsewhere. It<br />

evidently presents dist<strong>in</strong>ctive <strong>and</strong> very primitive features. We shall<br />

discuss the question later ; but it should be observed that several<br />

of these features reappear <strong>in</strong> Asiatic art. I would mention certa<strong>in</strong><br />

Hittite figures among the S<strong>in</strong>jirli sculptures, the tails of which<br />

end <strong>in</strong> birds' heads. For the animals with reverted heads—a convenient<br />

attitude for fill<strong>in</strong>g a given space, particularly a circular one<br />

I will quote, <strong>in</strong> addition to the examples mentioned by Re<strong>in</strong>ach <strong>in</strong><br />

his paper on the fly<strong>in</strong>g gallop, the Assyro-Chaldaean weight found<br />

at Susa, <strong>in</strong> the form of a recumbent wild ass, a form which frequently<br />

recurs on gold plaques <strong>and</strong> bridle ornaments from <strong>South</strong> <strong>Russia</strong>,<br />

especially dur<strong>in</strong>g the archaic period. Iranian antecedents can be<br />

found for the custom of represent<strong>in</strong>g animals with their foreparts<br />

turned <strong>in</strong> one direction <strong>and</strong> their h<strong>in</strong>d-quarters <strong>in</strong> the other, as on the<br />

sword-sheath found near the mouth of the Don, <strong>and</strong> <strong>in</strong> several figures,<br />

from horse-trapp<strong>in</strong>gs, found on the Kuban : the motive occurs later<br />

<strong>in</strong> a great number of objects from prehistoric <strong>and</strong> Sarmatian Siberia.<br />

An example is the axe from Hamadan <strong>in</strong> Persia, now <strong>in</strong> the British<br />

Museum (pi. XI, b) : it belongs to a whole series of Persian axes,<br />

decorated <strong>in</strong> the animal style, which are connected by their shape <strong>and</strong><br />

ornamentation with a group of axes from protohistoric Elam, from<br />

Babylon <strong>and</strong> from Assyria, The British Museum axe has its back<br />

part <strong>in</strong> the form of a Persian lion-headed griff<strong>in</strong>, w<strong>in</strong>ged <strong>and</strong> horned,<br />

with its head reverted : the motive appears as early as Babylonian<br />

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