Iranians and Greeks in South Russia - Robert Bedrosian's Armenian ...
Iranians and Greeks in South Russia - Robert Bedrosian's Armenian ...
Iranians and Greeks in South Russia - Robert Bedrosian's Armenian ...
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58<br />
THE CIMMERIANS AND THE<br />
a metal disk, the hollow parts filled with some black substance (fig. 6).<br />
parallels are to be found both<br />
This technique also is purely Oriental :<br />
<strong>in</strong> Babylonia <strong>and</strong> Assyria <strong>and</strong> <strong>in</strong> Egypt. It is particularly <strong>in</strong>terest<strong>in</strong>g<br />
to note, that the same processes were used for similar objects <strong>in</strong> Transcaucasia<br />
at the end of the bronze <strong>and</strong> at the beg<strong>in</strong>n<strong>in</strong>g of the iron age :<br />
we have many tombs from this period, thanks to the excavations of<br />
Belck, Roessler, Ivanovski <strong>and</strong> others, <strong>and</strong> some of them are astonish<strong>in</strong>gly<br />
rich : <strong>in</strong> nearly every tomb we f<strong>in</strong>d roundels like those of the<br />
Kuban, <strong>and</strong> openwork pendants, often <strong>in</strong> the form of birds or animals,<br />
the cavities filled with black <strong>in</strong>lay. The same technique was <strong>in</strong><br />
frequent use for sword-hilts <strong>and</strong> other articles. We may be sure that<br />
<strong>in</strong> this matter Transcaucasia acted as the <strong>in</strong>termediary between the<br />
Euphrates valley <strong>and</strong> Northern Caucasus. We must avoid, however,<br />
the common error of attribut<strong>in</strong>g the Transcaucasian tombs to the<br />
Chaldian k<strong>in</strong>gdom of Van. That k<strong>in</strong>gdom, as far as we know, is<br />
it adopted,<br />
subsequent to the prehistoric civilization of Transcaucasia ;<br />
with only sHght modification, the culture of Assyria.<br />
It is more difficult to class the animal style of objects from the<br />
sixth-century Scythian tombs, both <strong>in</strong> the Kuban <strong>and</strong> elsewhere. It<br />
evidently presents dist<strong>in</strong>ctive <strong>and</strong> very primitive features. We shall<br />
discuss the question later ; but it should be observed that several<br />
of these features reappear <strong>in</strong> Asiatic art. I would mention certa<strong>in</strong><br />
Hittite figures among the S<strong>in</strong>jirli sculptures, the tails of which<br />
end <strong>in</strong> birds' heads. For the animals with reverted heads—a convenient<br />
attitude for fill<strong>in</strong>g a given space, particularly a circular one<br />
I will quote, <strong>in</strong> addition to the examples mentioned by Re<strong>in</strong>ach <strong>in</strong><br />
his paper on the fly<strong>in</strong>g gallop, the Assyro-Chaldaean weight found<br />
at Susa, <strong>in</strong> the form of a recumbent wild ass, a form which frequently<br />
recurs on gold plaques <strong>and</strong> bridle ornaments from <strong>South</strong> <strong>Russia</strong>,<br />
especially dur<strong>in</strong>g the archaic period. Iranian antecedents can be<br />
found for the custom of represent<strong>in</strong>g animals with their foreparts<br />
turned <strong>in</strong> one direction <strong>and</strong> their h<strong>in</strong>d-quarters <strong>in</strong> the other, as on the<br />
sword-sheath found near the mouth of the Don, <strong>and</strong> <strong>in</strong> several figures,<br />
from horse-trapp<strong>in</strong>gs, found on the Kuban : the motive occurs later<br />
<strong>in</strong> a great number of objects from prehistoric <strong>and</strong> Sarmatian Siberia.<br />
An example is the axe from Hamadan <strong>in</strong> Persia, now <strong>in</strong> the British<br />
Museum (pi. XI, b) : it belongs to a whole series of Persian axes,<br />
decorated <strong>in</strong> the animal style, which are connected by their shape <strong>and</strong><br />
ornamentation with a group of axes from protohistoric Elam, from<br />
Babylon <strong>and</strong> from Assyria, The British Museum axe has its back<br />
part <strong>in</strong> the form of a Persian lion-headed griff<strong>in</strong>, w<strong>in</strong>ged <strong>and</strong> horned,<br />
with its head reverted : the motive appears as early as Babylonian<br />
—