Iranians and Greeks in South Russia - Robert Bedrosian's Armenian ...
Iranians and Greeks in South Russia - Robert Bedrosian's Armenian ...
Iranians and Greeks in South Russia - Robert Bedrosian's Armenian ...
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130 THESARMATIANS<br />
Here also we notice a return to Orientat tradition, to the tradition of<br />
the late Assyrian period, <strong>in</strong> which the bridles were commonly decorated<br />
with round phalarae of metal. It is <strong>in</strong> these tombs that we f<strong>in</strong>d the<br />
first stirrups.<br />
We do not know much about the costume of the Kuban warriors<br />
<strong>and</strong> their wives. But the <strong>in</strong>troduction of the fibula po<strong>in</strong>ts to a great<br />
change, <strong>and</strong> the appearance of the class of fibula derived from the<br />
La Tene type, <strong>and</strong> of a Celtic fibula of the Augustan period with<br />
the name of the maker Aucissa, is a proof of regular relations with the<br />
Celtic, <strong>and</strong> probably with the Germanic world.<br />
Still more important is the complete change <strong>in</strong> the forms of the<br />
gold ornaments sewn to cloth<strong>in</strong>g <strong>and</strong> shrouds. In the East, at all<br />
periods, clothes had been ornamented with metal plaques sewn on to<br />
the material. We have seen that the mode prevailed <strong>in</strong> <strong>South</strong> <strong>Russia</strong><br />
<strong>in</strong> the period of Scythian ascendancy : <strong>in</strong> that period, the plaques<br />
were nearly always round or square : they were fairly large ; they were<br />
covered with embossed decoration <strong>in</strong> floral or animal style ; they<br />
were often imitated from Greek co<strong>in</strong>s, <strong>and</strong> <strong>in</strong> the fourth <strong>and</strong> third<br />
centuries, religious scenes were sometimes represented. The Kuban<br />
graves have yielded hundreds of garment plaques, but never of a type<br />
known from the Scythian tombs : they are now very small <strong>and</strong> th<strong>in</strong>,<br />
<strong>and</strong> the shapes are geometric, roundels, billets, fleursdelys, crescents,<br />
voided triangles, rosettes <strong>and</strong> the like (fig. 17). All these shapes<br />
belong exclusively to the Oriental repertory : exactly similar plaques<br />
have been found <strong>in</strong> Assyria : the same ornaments appear later <strong>in</strong><br />
Sassanian <strong>and</strong> Arabic art.<br />
The vessels, numerous <strong>in</strong> the Kuban graves, are sometimes of<br />
metal, sometimes of clay. The metal vases, of silver or bronze, are<br />
almost all importations : the shapes are those current <strong>in</strong> late Helle-<br />
nistic <strong>and</strong> Roman Imperial times. Most of the clay vases are also<br />
imported : some are local imitations of classical models. But there<br />
are also native products : the large Asiatic cauldrons of bronze or<br />
copper, which we found <strong>in</strong> the Scythian tombs, are very common on<br />
the Kuban as well. The general form of these cauldrons rema<strong>in</strong>s the<br />
same, but there are alterations of detail which l<strong>in</strong>k the Kuban vessels<br />
with those found <strong>in</strong> the tombs of the period of migrations. Several<br />
of the Kuban vessels bear signs which are undoubtedly alphabetical<br />
this alphabet, as we shall f<strong>in</strong>d, was <strong>in</strong> use at Panticapaeum <strong>in</strong> the<br />
second <strong>and</strong> third centuries A. d. The same signs occur on certa<strong>in</strong><br />
pieces of caparison.<br />
I would also suggest an Oriental orig<strong>in</strong> for the small round bottles<br />
of gold—recall<strong>in</strong>g the spherical vases of the Scythian tombs— ^which<br />
: