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78<br />

THEGREEKSONTHE<br />

Cimmerian Bosphorus, whereas <strong>in</strong> the fifth century Nymphaeum <strong>and</strong><br />

the other Athenian cities grew rich at the expense of iPanticapaeum.<br />

This is shown, on the one h<strong>and</strong>, by the rich fifth-century f<strong>in</strong>ds at<br />

Nymphaeum—a mixed cemetery with Greek <strong>and</strong> Greco- Scythian<br />

tombs, <strong>and</strong> several tumuli—<strong>and</strong> <strong>in</strong> the Taman pen<strong>in</strong>sula—the<br />

barrows of the Seven Brothers; on the other, by the rarity <strong>and</strong><br />

poverty of fifth-century tombs at Panticapaeum, not one of which has<br />

yielded jewellery comparable with that of the fifth-century tombs <strong>in</strong><br />

while<br />

the Taman pen<strong>in</strong>sula <strong>and</strong> <strong>in</strong> the cemetery of Nymphaeum ;<br />

the vases of severe red-figured style are very poorly represented at<br />

Panticapaeum, especially compared with the vases of the sixth <strong>and</strong><br />

fourth centuries. We have no right to suppose that costly monuments<br />

were constructed <strong>in</strong> Panticapaeum at a time when the city <strong>and</strong> her<br />

rulers were impoverished by dissension at home, by wars abroad, <strong>and</strong><br />

by complete subord<strong>in</strong>ation, if not vassalage, to all-powerful Athens.<br />

I said above, that technically <strong>and</strong> architecturally, the tomb<br />

chambers of Panticapaeum were real creations. The forms are<br />

various <strong>and</strong> elaborate. The roof is sometimes a rectangular corbelled<br />

vault, sometimes corbelled but rounded : some architects used the<br />

barrel vault, comb<strong>in</strong><strong>in</strong>g it, <strong>in</strong> the double chambers, with the corbelled<br />

vault. It has been conjectured that <strong>in</strong> construct<strong>in</strong>g tomb-chambers<br />

with the so-called Egyptian vault, the Panticapaean architects were<br />

follow<strong>in</strong>g an archaic custom, were imitat<strong>in</strong>g heroa <strong>and</strong> tombs of the<br />

Mycenaean period : <strong>in</strong> short, that they acted like the Augustan<br />

sculptors when these carved their archaiz<strong>in</strong>g statues. I do not believe<br />

this conjecture to be correct. As soon as Greek architects learned to<br />

construct barrel vaults they put their knowledge <strong>in</strong>to practice, <strong>and</strong><br />

the barrel vault gradually supplanted the older corbelled vault. But<br />

the barrel vault, which apart from the Egyptian vault, is the only<br />

suitable method of roof<strong>in</strong>g a sepulchral chamber surmounted by a<br />

tumulus several metres high, was not <strong>in</strong>troduced <strong>in</strong>to Greece until<br />

the middle of the fourth century. Moreover, the Greek barrel vault<br />

is very imperfect compared with the Roman. It must be borne <strong>in</strong><br />

m<strong>in</strong>d, that <strong>in</strong> the Bosphoran barrel vaults of the fourth century, the<br />

stones are almost always held together by metal clamps, a process<br />

which the Romans never employed. Now before the Greek architects<br />

adopted the Oriental system of barrel vaults, what processes did they<br />

know of for construct<strong>in</strong>g a tomb-chamber surmounted by a tumulus ?<br />

The only process known to them was the corbelled vault, rectangular<br />

or circular, the same which was used <strong>in</strong> the Mycenaean period. I have<br />

no doubt, although we possess no examples, that the corbelled vault<br />

was cont<strong>in</strong>uously employed <strong>in</strong> Thrace, <strong>and</strong> <strong>in</strong> Greece <strong>and</strong> <strong>in</strong> Asia

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