Iranians and Greeks in South Russia - Robert Bedrosian's Armenian ...
Iranians and Greeks in South Russia - Robert Bedrosian's Armenian ...
Iranians and Greeks in South Russia - Robert Bedrosian's Armenian ...
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INTHEROMANPERIOD 177<br />
Kerch tombs to the Gothic epoch. But there cannot be the least<br />
doubt that they are pre- Gothic, that the first belongs to the period<br />
A.D. 212-29, <strong>and</strong> the two others to a.d. 229, the date of the death<br />
of Rhescuporis II : that is, some decades before the appearance of<br />
the Goths.<br />
The furniture of these tombs is astonish<strong>in</strong>gly similar to that of the<br />
Sarmatian tombs on the Kuban. The funerary ritual is the same, the<br />
bridle occurs <strong>in</strong> both, <strong>and</strong> the objects have the same shapes. Look at<br />
the gold bottle, which recurs at Ust-Lab<strong>in</strong>skaya, at Novocherkassk<br />
<strong>and</strong> at Olbia (fig. 19, 1-2 from the Kuban ; 3, from the grave of the<br />
Queen) ; the characteristic gold garment plaques, regular <strong>in</strong> Sarmatian<br />
tombs (fig. ; 17) the bracelets <strong>and</strong> tores, of the same type as the<br />
Sarmatian ; the dist<strong>in</strong>ctive armour of the k<strong>in</strong>g, with the great spear<br />
predom<strong>in</strong>at<strong>in</strong>g ; the shape <strong>and</strong> decoration of the dagger. The clasp<br />
of the necklace, <strong>in</strong> the form of a ram ornamented with false filigree,<br />
reappears <strong>in</strong> many of the tombs on the Kuban : the type of bridle,<br />
with r<strong>in</strong>gs, is the same ; the monogram devices also ; the same<br />
technical processes are used, emboss<strong>in</strong>g, <strong>and</strong> pseudo-granulation comb<strong>in</strong>ed<br />
with <strong>in</strong>laid stones. F<strong>in</strong>ally, a highly developed style of polychrome<br />
jewellery. I must also notice the strik<strong>in</strong>g resemblance between<br />
the funeral crown of the lady <strong>in</strong> the tumulus of 1841, <strong>and</strong> the crown<br />
from Novocherkassk. The plaque <strong>in</strong> front of the lady's crown is<br />
divided <strong>in</strong>to n<strong>in</strong>e compartments, which are decorated with embossed<br />
geometrical patterns, very primitive <strong>and</strong> very characteristic of Sarmatian<br />
art as a whole ; seven of the compartments are embellished with<br />
<strong>in</strong>laid precious stones, three of which are chalcedony cameos of the<br />
first century A. d. The Syriam garnet, with a female head, which<br />
forms the centre-piece of the lady's necklace, may belong to the third<br />
century <strong>and</strong> may represent the deceased herself.<br />
Let us now exam<strong>in</strong>e the polychrome style of the gold objects found<br />
<strong>in</strong> these tombs. It is much richer <strong>and</strong> much more highly developed<br />
than <strong>in</strong> the Kuban f<strong>in</strong>ds, <strong>and</strong> vies with the polychrome style at<br />
Novocherkassk <strong>and</strong> <strong>in</strong> Siberia. Stones are <strong>in</strong>laid everywhere, even <strong>in</strong><br />
the funeral crowns. Compare the gold bottle of the Queen with the<br />
Mask <strong>and</strong> the gold bottle from Ust-Lab<strong>in</strong>skaya : the Queen's bottle<br />
is thickly studded with precious stones. Look at the two bridles :<br />
embossed work like that on the crown described above, <strong>and</strong> precious<br />
stones <strong>in</strong>laid all over it.<br />
But there are two other features to which I would draw attention.<br />
The k<strong>in</strong>g's dagger was richly ornamented, like the knife <strong>in</strong> the same<br />
tomb <strong>and</strong> the dagger of the queen. The hilt is coated with gold foil,<br />
<strong>and</strong> bears the same monogram device as the bridle : it is studded<br />
2353<br />
A a