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Iranians and Greeks in South Russia - Robert Bedrosian's Armenian ...

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THE SARMATIANS 127<br />

No Greek or Roman co<strong>in</strong>s have been found <strong>in</strong> these graves : but<br />

they nearly all conta<strong>in</strong> objects exported from Greece, <strong>and</strong> these enable<br />

us to date the graves with accuracy. To beg<strong>in</strong> with, the total absence<br />

of Greek vases with black glaze, <strong>and</strong> of the various classes of Hellenistic<br />

pottery, provides a lower chronological limit. But besides this negative<br />

evidence, we have a good deal of positive, by means of which we<br />

can arrange the graves <strong>in</strong> three chronological series. The first is dated<br />

by its pronounced predilection for glass vases, either cast or hewn out<br />

of solid blocks of glass (fig. 16, 1-3). In shape, they reproduce the<br />

metal vases of the late Hellenistic <strong>and</strong> early Imperial epoch. It is well<br />

Fig. 16.<br />

known that cast- <strong>and</strong> cut-glass vases preceded blown-glass vases, <strong>and</strong><br />

belong to the first century before <strong>and</strong> the first century after Christ.<br />

Such vases have been found <strong>in</strong> about a dozen tumuli, the contents of<br />

which are uniform : the richest graves were discovered <strong>in</strong> the kurgans<br />

of Ziibovski, Akhtani'zovka, Vozdvizhenskaya, Yaroslavskaya, Tiflisskaya<br />

<strong>and</strong> Armavir. The jewels which are regularly found <strong>in</strong> these<br />

graves are dist<strong>in</strong>ctive both <strong>in</strong> shape <strong>and</strong> <strong>in</strong> technique. The artists<br />

have a fondness for filigree decoration, the motives be<strong>in</strong>g almost<br />

without exception geometric. But the technique is no longer the true<br />

granulation of classical times, but an imitation of it, pseudo-filigree,<br />

which consists <strong>in</strong> divid<strong>in</strong>g a gold wire <strong>in</strong>to a row of gra<strong>in</strong>like sections,<br />

so as to give the impression of a row of separate gra<strong>in</strong>s. The artists

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