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76<br />

THEGREEKSONTHE<br />

tive art. Round the coff<strong>in</strong> were Greek vases of the best fabrics, often<br />

not only pa<strong>in</strong>ted but modelled <strong>and</strong> gilded as well : one of the best<br />

known is the vase with the signature of Xenophantos which represents<br />

K<strong>in</strong>g Darius hunt<strong>in</strong>g. The bodies laid <strong>in</strong> the coff<strong>in</strong>s wore festal<br />

the men had weapons with them, the women jewels.<br />

costume ;<br />

Some of the graves, which were discovered <strong>in</strong>tact, have yielded<br />

superb collections of ancient jewellery <strong>and</strong> goldsmith's work :<br />

engraved stones signed by celebrated artists ; necklaces, bracelets,<br />

earr<strong>in</strong>gs, unequalled <strong>in</strong> the ancient world. The f<strong>in</strong>est objects <strong>in</strong> the<br />

Hermitage came almost entirely from these monumental tombs. The<br />

same opulence everywhere—at Panticapaeum, at Nymphaeum, at<br />

Theodosia, <strong>in</strong> the Taman pen<strong>in</strong>sula, at Chersonesus : but not the<br />

same funeral rites. The graves <strong>in</strong> the Taman pen<strong>in</strong>sula preserve<br />

features which recall the native Thracian <strong>and</strong> Scythian graves, such<br />

as bloody sacrifices after the funeral ceremony, <strong>and</strong> the <strong>in</strong>terment of<br />

horses <strong>and</strong> of funeral chariots.<br />

Such graves are neither purely Greek nor purely native. The<br />

<strong>Greeks</strong> of this period did not bury their dead under barrows, <strong>in</strong><br />

chambers with Egyptian vaults, <strong>in</strong> sumptuous coff<strong>in</strong>s. They no<br />

longer deposited whole fortunes <strong>in</strong> their tombs, like the <strong>in</strong>habitants<br />

of the Bosphoran k<strong>in</strong>gdom. Aga<strong>in</strong>, <strong>in</strong> the funerary ritual <strong>and</strong> the<br />

choice <strong>and</strong> character of the objects placed <strong>in</strong> them, the Scythian<br />

tumulary graves have noth<strong>in</strong>g <strong>in</strong>. common with the monumental<br />

tombs of Panticapaeum. There is no trace at Panticapaeum of the<br />

<strong>in</strong>terment of horses, no human sacrifice, <strong>and</strong> no groups of sacred<br />

objects laid beside the dead. We have two completely different<br />

rituals : moreover, the Panticapaean ritual <strong>in</strong>fluenced the Scythian,<br />

not the Scythian the Panticapaean. We cannot claim that the monumental<br />

graves of the Taman pen<strong>in</strong>sula were equally <strong>in</strong>dependent of<br />

Scythian practice : Scythian <strong>in</strong>fluence is certa<strong>in</strong>. Although they<br />

preserve, <strong>in</strong> pr<strong>in</strong>ciple, the funerary ritual found at Panticapaeum,<br />

which recalls that of heroic Greece, familiar to us from the Homeric<br />

poems, with its bloody sacrifices <strong>and</strong> its funeral feasts, they nevertheless<br />

appear to have adopted certa<strong>in</strong> customs from the Scythians,<br />

especially the slaughter <strong>and</strong> <strong>in</strong>terment of the horses which had been<br />

harnessed to the hearse. Rema<strong>in</strong>s of horses <strong>and</strong> harness were found<br />

<strong>in</strong> the barrows of Great <strong>and</strong> Little Bliznitsa <strong>and</strong> of the Vasyur<strong>in</strong>skaya<br />

Gora, the richest <strong>and</strong> stateliest tombs <strong>in</strong> the Taman pen<strong>in</strong>sula. True<br />

analogies with the funerary ritual <strong>and</strong> the sepulchral structures of<br />

Panticapaeum are to be found not <strong>in</strong> Scythian country but partly, as<br />

I have said, <strong>in</strong> the Greece of heroic times, <strong>and</strong> partly <strong>in</strong> those

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