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Iranians and Greeks in South Russia - Robert Bedrosian's Armenian ...

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102 THE SCYTHIANS<br />

cha<strong>in</strong> of gold tubes, with gold pendants, five bracelets of solid gold,<br />

a solid gold comb<br />

more than three hundred gold garment-plaques ;<br />

(pi. XIX). Vessels : a gold patera (pi. XX, 3), seven silver vases<br />

(pi. XX, I, 2), some wooden vases plated with gold, three large copper<br />

cauldrons, <strong>and</strong> several amphorae for w<strong>in</strong>e or oil.<br />

Still richer were the tombs of Chertomlyk <strong>and</strong> of Alex<strong>and</strong>ropol,<br />

<strong>and</strong> those of the Chmyreva Mogila <strong>and</strong> of the Serogozy group : for<br />

not only the k<strong>in</strong>g's grave but the queen's grave was found as well.<br />

The jewels worn by the women were extremely rich <strong>and</strong> various, <strong>and</strong><br />

usually very heavy <strong>and</strong> costly. Their festal costume was loaded with<br />

gold, especially the great conical tiara, of Irano-Greek type, which I<br />

have lately reconstructed by means of fragments from a number of<br />

different graves.<br />

We must notice that nearly all these objects were artistic works<br />

covered with figures <strong>and</strong> ornaments <strong>in</strong> relief : sometimes artistic works<br />

of the highest order. Let us compare the funeral <strong>in</strong>ventory with that<br />

of the Scythian tombs on the Kuban. The superficial aspect has not<br />

altered. Side by side with pure Greek work, made for <strong>Greeks</strong> but<br />

sold to Scythians, a series of Greek objects made for Scythians, <strong>and</strong><br />

a series which seems pure Scythian, especially some jewels, the bridle<br />

decoration, the ornaments of the funeral canopies, <strong>and</strong> those of the<br />

funeral cars. But if we look more closely we detect a notable change,<br />

particularly <strong>in</strong> the second class of products. We have seen that as<br />

early as the fifth century, Greek artists adapted themselves to Scythian<br />

taste, fashioned for them weapons <strong>and</strong> ornaments of regular Scythian<br />

type, <strong>and</strong> endeavoured to please them by decorat<strong>in</strong>g these articles <strong>in</strong><br />

the animal style which the Scythians loved. But while they thus<br />

consulted the taste of their customers, they rema<strong>in</strong>ed <strong>Greeks</strong>. They<br />

ennobled the shapes, <strong>and</strong> they partly substituted the animal style of<br />

Asia M<strong>in</strong>or for the Scythian. But their art rema<strong>in</strong>ed purely decorative :<br />

religious subjects are rarely found, <strong>and</strong> that only on pure Greek<br />

objects brought to the <strong>Russia</strong>n steppes by chance.<br />

In the fourth <strong>and</strong> third centuries there is a significant change.<br />

There is still importation from Iranian l<strong>and</strong>s : for <strong>in</strong>stance, one of<br />

the Chertomlyk swords, <strong>and</strong> some engraved gems. But most of the<br />

objects are the work of Greek artists. They still produced the<br />

same k<strong>in</strong>d of weapons <strong>and</strong> ornaments. But the mode of decoration<br />

is quite different. The animal style is no longer predom<strong>in</strong>ant, but<br />

conf<strong>in</strong>ed to subsidiary positions. Scenes with figures now prevail :<br />

<strong>and</strong> strange scenes ! Partly representations from Greek mythology,<br />

taken almost at r<strong>and</strong>om from the plentiful repertory of the <strong>Greeks</strong>,<br />

<strong>and</strong> employed, more or less successfully, to decorate surfaces for which

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