Iranians and Greeks in South Russia - Robert Bedrosian's Armenian ...
Iranians and Greeks in South Russia - Robert Bedrosian's Armenian ...
Iranians and Greeks in South Russia - Robert Bedrosian's Armenian ...
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
102 THE SCYTHIANS<br />
cha<strong>in</strong> of gold tubes, with gold pendants, five bracelets of solid gold,<br />
a solid gold comb<br />
more than three hundred gold garment-plaques ;<br />
(pi. XIX). Vessels : a gold patera (pi. XX, 3), seven silver vases<br />
(pi. XX, I, 2), some wooden vases plated with gold, three large copper<br />
cauldrons, <strong>and</strong> several amphorae for w<strong>in</strong>e or oil.<br />
Still richer were the tombs of Chertomlyk <strong>and</strong> of Alex<strong>and</strong>ropol,<br />
<strong>and</strong> those of the Chmyreva Mogila <strong>and</strong> of the Serogozy group : for<br />
not only the k<strong>in</strong>g's grave but the queen's grave was found as well.<br />
The jewels worn by the women were extremely rich <strong>and</strong> various, <strong>and</strong><br />
usually very heavy <strong>and</strong> costly. Their festal costume was loaded with<br />
gold, especially the great conical tiara, of Irano-Greek type, which I<br />
have lately reconstructed by means of fragments from a number of<br />
different graves.<br />
We must notice that nearly all these objects were artistic works<br />
covered with figures <strong>and</strong> ornaments <strong>in</strong> relief : sometimes artistic works<br />
of the highest order. Let us compare the funeral <strong>in</strong>ventory with that<br />
of the Scythian tombs on the Kuban. The superficial aspect has not<br />
altered. Side by side with pure Greek work, made for <strong>Greeks</strong> but<br />
sold to Scythians, a series of Greek objects made for Scythians, <strong>and</strong><br />
a series which seems pure Scythian, especially some jewels, the bridle<br />
decoration, the ornaments of the funeral canopies, <strong>and</strong> those of the<br />
funeral cars. But if we look more closely we detect a notable change,<br />
particularly <strong>in</strong> the second class of products. We have seen that as<br />
early as the fifth century, Greek artists adapted themselves to Scythian<br />
taste, fashioned for them weapons <strong>and</strong> ornaments of regular Scythian<br />
type, <strong>and</strong> endeavoured to please them by decorat<strong>in</strong>g these articles <strong>in</strong><br />
the animal style which the Scythians loved. But while they thus<br />
consulted the taste of their customers, they rema<strong>in</strong>ed <strong>Greeks</strong>. They<br />
ennobled the shapes, <strong>and</strong> they partly substituted the animal style of<br />
Asia M<strong>in</strong>or for the Scythian. But their art rema<strong>in</strong>ed purely decorative :<br />
religious subjects are rarely found, <strong>and</strong> that only on pure Greek<br />
objects brought to the <strong>Russia</strong>n steppes by chance.<br />
In the fourth <strong>and</strong> third centuries there is a significant change.<br />
There is still importation from Iranian l<strong>and</strong>s : for <strong>in</strong>stance, one of<br />
the Chertomlyk swords, <strong>and</strong> some engraved gems. But most of the<br />
objects are the work of Greek artists. They still produced the<br />
same k<strong>in</strong>d of weapons <strong>and</strong> ornaments. But the mode of decoration<br />
is quite different. The animal style is no longer predom<strong>in</strong>ant, but<br />
conf<strong>in</strong>ed to subsidiary positions. Scenes with figures now prevail :<br />
<strong>and</strong> strange scenes ! Partly representations from Greek mythology,<br />
taken almost at r<strong>and</strong>om from the plentiful repertory of the <strong>Greeks</strong>,<br />
<strong>and</strong> employed, more or less successfully, to decorate surfaces for which