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INTRODUCTORY ii<br />

see <strong>in</strong> the Paphlagonian sculptures, or <strong>in</strong> their Assyro-Persian prototypes,<br />

the immediate sources from which the Panticapaean metalworkers<br />

derived their <strong>in</strong>spiration.<br />

We observe also remarkable analogies between certa<strong>in</strong> products of<br />

Cappadocian art <strong>and</strong> objects found <strong>in</strong> Scythian graves of the period<br />

between the sixth <strong>and</strong> the third centuries B.C. I would draw the<br />

reader's attention to a number of cast bronze pole-heads which<br />

have been discovered <strong>in</strong> Cappadocia (pi. II <strong>and</strong> pi. V, : 3) some-<br />

times represent<strong>in</strong>g an animal perched on a rattle, sometimes a figure<br />

or a pair of figures, geometrically stylized, of the Great Goddess<br />

of Asia. The only parallels to these curious objects, of which there<br />

are several examples <strong>in</strong> the Louvre <strong>and</strong> <strong>in</strong> the British Museum, are<br />

furnished by pole-tops found <strong>in</strong> Scythian barrows of the period<br />

between the sixth <strong>and</strong> third centuries b. c, <strong>and</strong> <strong>in</strong> Western Siberia.<br />

Let me also mention the terra-cotta statuettes from Pontus <strong>and</strong><br />

Cappadocia <strong>in</strong> the Ashmolean Museum <strong>and</strong> <strong>in</strong> the Louvre, which<br />

undoubtedly represent Scythian horsemen (pi. I). These horsemen are<br />

treated <strong>in</strong> the same manner <strong>and</strong> <strong>in</strong> the same style as the Scythian<br />

horsemen on works of Panticapaean toreutic dat<strong>in</strong>g from the fourth<br />

or third centuries B.C.<br />

In conclusion, I would draw attention to a curious co<strong>in</strong>cidence :<br />

terra-cotta wagons have been found <strong>in</strong> Pontus <strong>and</strong> <strong>in</strong> Cappadocia<br />

which reproduce, beyond all doubt, the wheeled abodes of the nomads:<br />

a well-preserved example may be seen <strong>in</strong> the Ashmolean Museum.<br />

Now, as far as I know, the only analogous objects come from <strong>South</strong><br />

<strong>Russia</strong>. We have two series of them, one belong<strong>in</strong>g to the Bronze Age,<br />

the other to the first <strong>and</strong> second centuries A. d. A chariot which<br />

closely resembles the Ashmolean specimen was found <strong>in</strong> a Kuban<br />

grave of the Bronze Age : a whole group, of much f<strong>in</strong>er execution, <strong>in</strong><br />

Panticapaean graves of the first <strong>and</strong> second centuries A. d.<br />

These resemblances between the two shores of the Eux<strong>in</strong>e cannot<br />

be expla<strong>in</strong>ed by commercial <strong>in</strong>tercourse, but only by community<br />

of race ; by the existence of similar layers of population <strong>in</strong> both<br />

regions : a layer which may be called autochthonous ; a Thraco-<br />

Cimmerian ; <strong>and</strong> a Scytho-Iranian layer.<br />

Let us now return to the Scythians of <strong>South</strong> <strong>Russia</strong>. We f<strong>in</strong>d <strong>in</strong><br />

<strong>South</strong> <strong>Russia</strong>, as I have already said, a whole group of products<br />

partly manufactured by the <strong>Iranians</strong> themselves, partly for the <strong>Iranians</strong><br />

by the <strong>Greeks</strong>. This Iranian world is the pre-Zoroastrian one<br />

which dissem<strong>in</strong>ated the cults of Mithra <strong>and</strong> of Anaitis, the two<br />

Iranian div<strong>in</strong>ities who exerted a potent <strong>in</strong>fluence on the classical<br />

civilization of Hellenistic <strong>and</strong> Roman times. Unfortunately these

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