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174<br />

GREEK CITIES OF SOUTH RUSSIA<br />

such develops <strong>in</strong> the East, <strong>in</strong> Iranian l<strong>and</strong>s, as we see from the Oxus<br />

<strong>and</strong> Susa treasures. It returns to <strong>South</strong> <strong>Russia</strong> with the Sarmatians.<br />

It reappears <strong>in</strong> the Orenburg steppes dur<strong>in</strong>g the fourth century b. c,<br />

<strong>and</strong> <strong>in</strong>fluences Panticapaean jewellery by the third, witness the<br />

Taman <strong>and</strong> Kuban f<strong>in</strong>ds just described, <strong>and</strong> the others analysed <strong>in</strong><br />

the preced<strong>in</strong>g chapter. The enamelled sword sheath from Buerova<br />

Mogila<strong>in</strong> the Taman pen<strong>in</strong>sula (pi. XXIV, 4), the round brooch from<br />

the grave at Artyukhov's farm, the gold roundels, dotted with precious<br />

stones, from Kurjips, the gold openwork mount<strong>in</strong>g of a vase or<br />

rhyton from Besleneevskaya : all these lead on to the f<strong>in</strong>ds of the first<br />

century B. c, <strong>and</strong> of Roman imperial times, from Panticapaeum <strong>and</strong><br />

from the <strong>Russia</strong>n steppes, <strong>in</strong> which the polychrome style eventually<br />

triumphs, <strong>and</strong> <strong>in</strong>crustation prevails over the form <strong>and</strong> decoration of<br />

the object. The result of this victory we have already seen <strong>in</strong> the<br />

f<strong>in</strong>ds from Novocherkassk <strong>and</strong> from western Siberia. But the same<br />

phenomenon may be observed at Panticapaeum.<br />

To ascerta<strong>in</strong> the true nature of Panticapaean jewellery <strong>in</strong> the<br />

Roman period, we must make a rather closer exam<strong>in</strong>ation of certa<strong>in</strong><br />

very characteristic f<strong>in</strong>ds which have often been quoted but never<br />

thoroughly <strong>in</strong>vestigated. In the first century A. D., <strong>and</strong> <strong>in</strong> the earlier<br />

part of the second, the tombs of Panticapaeum present almost<br />

the same picture as contemporary tombs elsewhere. I have already<br />

observed, that the citizens of the Bosphorus, notwithst<strong>and</strong><strong>in</strong>g the<br />

progress of Iranization, were strongly attached to their Greek nationality<br />

; the objects which they liked to take with them <strong>in</strong>to their tombs<br />

were such as bore hardly any local stamp : those which did were<br />

reserved for export. In the second century, however, a profound<br />

change takes place. Iranization has borne its fruit. The tomb<br />

furniture comes more <strong>and</strong> more to resemble that of the tombs <strong>in</strong> the<br />

valleys of the Kuban <strong>and</strong> the Don. By the third century, one might<br />

be <strong>in</strong> the heart of Sarmatian country. These tombs can often be<br />

dated by impr<strong>in</strong>ts of co<strong>in</strong>s on gold funerary crowns.<br />

I shall first speak of three exceptionally rich tombs discovered <strong>in</strong><br />

1837 <strong>and</strong> 1841. The two tombs of 1841 were stone chambers surmounted<br />

by tumuH : the third, of 1837, found <strong>in</strong> the same district<br />

but under another tumulus, was a marble sarcophagus, not <strong>in</strong>terred<br />

<strong>in</strong> the virg<strong>in</strong> soil, but <strong>in</strong> the soil of the tumulus : the lid of the sarcophagus<br />

was shaped like a pediment with an acroterion. To give an<br />

idea of the wealth of the furniture, I shall briefly enumerate the objects<br />

of which it consisted, add<strong>in</strong>g references to the publications. In the<br />

1837 tomb, the tomb of the Queen with the Golden Mask : a gravemask<br />

of gold {Antiquites du Bosphore Cimmerien, pi. I) ; a silver

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