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DVD Demystified

DVD Demystified

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112<br />

Chapter 3<br />

which ones are worth worrying about. Many a shrewd marketer has capitalized<br />

on the fears of consumers worried about jitter and sonic quality,<br />

bestowing on the world such products as colored ink that supposedly<br />

reduces reflections from the edge of the disc, disc stabilizer rings that claim<br />

to reduce rotational variations, foil stickers alleged to produce “morphic resonance”<br />

to rebalance human perception, highly damped rubber feet or hardwood<br />

stabilizer cones for players, cryogenic treatments, disc polarizing<br />

devices, and other technological nostrums that are intimate descendents of<br />

Dr. Feelgood’s Amazing Curative Elixir.<br />

Basically, there are five types of jitter that are relevant to <strong>DVD</strong>. 13<br />

■ Oscillator jitter Oscillating quartz crystals are used to generate clock<br />

signals for digital circuitry. The quality of the crystal and the purity of<br />

the voltage driving it determine the stability of the clock signal.<br />

Oscillator jitter is a factor in other types of jitter, since all clocks are<br />

“fuzzy” to some degree.<br />

■ Sampling jitter (recording jitter) This is the most critical type of jitter.<br />

When the analog signal is being digitized, instability in the clock<br />

results in the wrong samples being taken at the wrong time (see Figure<br />

3.8). Reclocking at a later point can fix the time errors but not the<br />

amplitude sampling errors. There is nothing the consumer can do about<br />

jitter that happens at recording time or during production, because it<br />

becomes a permanent part of the recording. Sampling jitter also occurs<br />

when the analog signal from a <strong>DVD</strong> player is sent to a digital processor<br />

(such as an AV receiver with DSP features or a video line multiplier).<br />

The quality of the DAC in the receiving equipment determines the<br />

amount of sampling jitter. Using a digital connection instead of an<br />

analog connection avoids the problem altogether.<br />

■ Media jitter (pit jitter) This type of jitter is not critical. During disc<br />

replication, a laser beam is used to cut the pattern of pits in the glass<br />

master. Any jitter in the clock or physical vibration in the mechanism<br />

used to drive the laser will be transmitted to the master and thus to<br />

every disc that is molded from it. Variations in the physical replication<br />

process also can contribute to pits being longer or shorter than they<br />

should be. These variations are usually never large enough to cause<br />

13 One particular phenomenon is incorrectly referred to as jitter. When <strong>DVD</strong>-ROM drives and CD-<br />

ROM drives perform digital audio extraction (DAE) from audio CDs, they can run into problems<br />

if the destination drive cannot keep up with the data flow. Most drives do not have block-accurate<br />

seeking, so they may miss or duplicate a small amount of data after a pause. These data errors<br />

cause clicks when the audio is played back. This is colloquially referred to as “jitter,” and there<br />

are software packages that perform “jitter correction” by comparing successive read passes during<br />

DAE, but technically this is not jitter. It is a data error, not a phase error.

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