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DVD Demystified

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130<br />

Figure 3.22<br />

Display sizes at equal<br />

heights<br />

Chapter 3<br />

horizontal and vertical lines). Therefore, too wide a tube is not desirable.<br />

The 16:9 aspect ratio was chosen in part because it is an exact multiple of<br />

4:3. That is, 4/3 � 4/3 = 16/9. The clean mathematical relationship between<br />

4:3 and 16:9 makes it easy to convert between the two. Going from 4:3 to 16:9<br />

merely entails adding one horizontal pixel for every three (3➝4), and going<br />

from 16:9 to 4:3 requires simply removing one pixel from every four (4➝3). 23<br />

This makes the scaling circuitry for letterbox and pan and scan functions<br />

much simpler and cheaper. It also makes the resulting picture cleaner.<br />

The 16:9 aspect ratio is also a reasonable compromise between television<br />

and movies. It is very close to 1.85, and it is close to the mean of 1.33 and<br />

2.35. That is, 4/3 � 4/3 � 4/3 � 2.35. Choosing a wider display aspect ratio,<br />

such as 2:1, would have made 2.35 movies look wonderful but would have<br />

required huge mattes on the side when showing 4:3 video (as in Figure<br />

3.17f, but even wider).<br />

Admittedly, the extra space could be used for picture outside picture (POP,<br />

the converse of PIP), but it would be very expensive extra space. To make a<br />

2:1 display the same height as a 35-inch television (21 inches) requires a<br />

width of 42 inches, giving a diagonal measure of 47 inches. In other words,<br />

to keep the equivalent 4:3 image size of 35-inch television, you must get a<br />

47-inch 2:1 television. Figure 3.22 shows additional widescreen display sizes<br />

required to maintain the same height of common television sizes.<br />

23 In each case, a weighted scaling function generally is used. For example, when going from 4 to<br />

3 pixels, 3/4 of the first pixel is combined with 1/4 of the second to make the new first, 1/2 of the<br />

second is combined with 1/2 of the third to make the new second, and 1/4 of the third is combined<br />

with 3/4 of the fourth to make the new third (see Figure 6.25). This kind of scaling causes the picture<br />

to become slightly softer but is generally preferable to the cheap alternative of simply throwing<br />

away every fourth line. Similar weighted averages can be used when going from 3 to 4 (see<br />

Figure 6.27).

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