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DVD Demystified

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174<br />

Myth: “The Audio Level from <strong>DVD</strong> Players<br />

Is Too Low”<br />

People complain that the audio level from <strong>DVD</strong> players is too low. In truth,<br />

the audio level is too high on everything else. Movie soundtracks are<br />

extremely dynamic, ranging from near silence to intense explosions. In<br />

order to support an increased dynamic range and hit peaks (near the 2V<br />

RMS limit) without distortion, the average sound volume must be lower.<br />

This is why the line level from <strong>DVD</strong> players is lower than from almost all<br />

other sources. The volume level among <strong>DVD</strong>s varies, but it is more consistent<br />

than on CDs and laserdiscs. If the change in volume when switching<br />

between <strong>DVD</strong> and other audio sources is annoying, you may be able to<br />

adjust the output signal level on the player or the input signal level on the<br />

receiver.<br />

Myth: “Downmixed Audio Is No Good<br />

Because the LFE Channel Is Omitted”<br />

The LFE channel is omitted for a good reason when Dolby Digital 5.1-channel<br />

soundtracks are mixed down to two channels in the player. The LFE<br />

channel is intended only for extra bass boost, since the other 5 channels<br />

carry full-range bass. Audio systems without Dolby Digital capabilities generally<br />

do not have speakers that can properly reproduce very low frequencies,<br />

so the designers of Dolby Digital chose to have the decoders throw out<br />

the LFE track to avoid muddying the sound on average home systems. Anyone<br />

who truly cares about the LFE channel should invest in a receiver with<br />

Dolby Digital, bass management, and a separate subwoofer output.<br />

Myth: “<strong>DVD</strong> Lets You Watch Movies as<br />

They Were Meant to Be Seen”<br />

Chapter 4<br />

This refers to <strong>DVD</strong>’s 1.78 anamorphic widescreen feature, which is close to<br />

the most common movie aspect ratio (1.85). However, many movies have a<br />

wider shape than widescreen TVs. Thus, even though they look much better<br />

on a widescreen TV, they still have to be formatted to fit the less oblong<br />

shape, usually with black bars at the top and bottom. See “Aspect Ratios” in<br />

Chapter 3 for more information.

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