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DVD Demystified

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<strong>DVD</strong> Technology Primer<br />

thing. If the receiver reclocks the signal, you can use the world’s cheapest<br />

transport and get better quality than with an outrageously expensive, vacuum-sealed,<br />

hydraulically cushioned transport with a titanium-lead chassis.<br />

The reason better transports produce perceptibly better results is that<br />

most receivers do not reclock or otherwise sufficiently attenuate interface<br />

jitter. Even digital receivers with DSP circuitry usually operate directly on<br />

the bit stream without reclocking it.<br />

Interface jitter affects all digital signals coming from a <strong>DVD</strong> player: PCM<br />

audio, Dolby Digital, DTS, MPEG-2 audio, and so on. In order to stay in sync<br />

with the video, the receiver must lock the decoder to the clock in the incoming<br />

signal. Since the receiver depends on the timing information recovered<br />

from the incoming digital audio signal, it is susceptible to timing jitter.<br />

There is an ongoing tug of war between engineers and critical listeners.<br />

The engineers claim to have produced a jitterless system, but golden ears<br />

hear a difference. After enough tests, the engineers discover that jitter is<br />

getting through somewhere or being added somewhere, and they go back to<br />

the drawing board. Eventually, the engineers will win the game. Until then,<br />

it is important to recognize that most sources of jitter have little or no perceptible<br />

effect on the audio or video.<br />

Pegs and Holes: Understanding<br />

Aspect Ratios<br />

115<br />

The standard television picture is restricted to a specific shape: a third<br />

again wider than it is high. This aspect ratio is designated as 4:3, or 4 units<br />

wide by 3 units high, also expressed as 1.33. 16 This rectangular shape is a<br />

fundamental part of the NTSC and PAL television systems—it cannot be<br />

changed without redefining the standards. 17<br />

16There is no special meaning to the numbers 4 and 3. They are simply the smallest whole numbers<br />

that can be used to represent the ratio of width to height. An aspect ratio of 12:9 is the same<br />

as 4:3. This also can be normalized to a height of 1, but the width becomes the repeating fraction<br />

1.33333...,which is why the 4:3 notation is generally used. For comparison purposes, it is useful<br />

to use the normalized format of 1.33:1 or 1.33 for short.<br />

17The next generation of television—known as HDTV, ATV, DTV, etc.—has a 1.78 (16:9) picture<br />

that is much wider than current television. However, the new digital format is incompatible with<br />

existing standard recording and display equipment.

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