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DVD Demystified

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56<br />

Chapter 2<br />

the delay. Again, more pragmatic viewpoints appeared, such as that of Jerry<br />

Pierce, director of MCA’s Digital Video Compression Center, who flatly<br />

stated that “the <strong>DVD</strong> launch will be in 1997.” By this time Philips—the<br />

most conservative of the bunch—had moved its release date to the spring of<br />

1997. Matsushita also said its <strong>DVD</strong>-ROM drives for PCs would not be introduced<br />

until early 1997 but that within 2 to 3 years every PC would have a<br />

<strong>DVD</strong> drive.<br />

At the end of July, over a month after a copy protection settlement was<br />

to have been made, the <strong>DVD</strong> Consortium—the hardware side of the triangle—agreed<br />

to support a copy protection method proposed by Matsushita.<br />

The Copy Protection Technical Working Group—representing all three<br />

sides of the triangle—agreed to look into the proposal, which used content<br />

encryption to prevent movie data from being copied directly using a <strong>DVD</strong>-<br />

ROM drive.<br />

Not unexpectedly, licensing discussion had by now fallen apart. On<br />

August 2, Philips made a surprise announcement that it had been authorized<br />

by Sony to begin a licensing program for their joint <strong>DVD</strong> technology.<br />

“In an effort to avoid further undesirable delays, Philips and Sony have<br />

decided to move forward in the best interest of the <strong>DVD</strong> system and its<br />

future licensees.” They called on other companies to join in pooling<br />

patents, but Thomson, for one, declined. Many less-than-responsible journalists<br />

had a field day, reporting that the <strong>DVD</strong> standard had been sabotaged<br />

or that Philips and Sony were trying to steal patent revenue from<br />

the other companies.<br />

By the end of August, there was still no copy protection agreement. At<br />

the gigantic CeBIT Home exhibition in Hanover, Germany, Jan Oosterveld<br />

of Philips explained that key issues such as copy protection, regional<br />

coding, and software availability were unresolved. “The orchestra is<br />

assembled, the musicians have their positions, but they have not decided<br />

which tune they will play and how much time they need to rehearse and<br />

tune their instruments,” he said. He elaborated that copy protection was<br />

complicated by export and import restrictions and that key technology<br />

was still not available to non-Japanese companies. The regional control<br />

issue—on the table for almost a year—still “created confusion on how the<br />

world should be divided.” The software supply for <strong>DVD</strong>-ROM drives also<br />

looked bleak, with only 12 companies working on <strong>DVD</strong>-ROM titles. Oosterveld<br />

reiterated that the music industry was expected to take the lead<br />

with <strong>DVD</strong>-Audio and that there was no decision on whether to use phasechange<br />

or magneto-optical technology for <strong>DVD</strong>-RAM. Despite this,<br />

Philips was optimistic that by the year 2000 around 10 percent of all optical<br />

drives, or 25 million out of 250 million, would be based on <strong>DVD</strong>. Com-<br />

TEAMFLY

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