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The ferrotype and how to make it - The Grian Press

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THE COLLODION PROCESS. 105<br />

firm <strong>and</strong> dry enough (by the evaporation of ether<br />

from the surface,) <strong>to</strong> bear the <strong>to</strong>uch of the finger,<br />

w<strong>it</strong>hout flowing over the place <strong>to</strong>uched, <strong>it</strong> is<br />

ready <strong>to</strong> be -immersed in the silver bath, where<br />

<strong>it</strong> is allowed <strong>to</strong> remain about two minutes, or<br />

until the surface has become coated w<strong>it</strong>h iodide<br />

of silver. When <strong>it</strong> is w<strong>it</strong>hdrawn <strong>it</strong> presents a<br />

smooth yellowish wh<strong>it</strong>e appearance. Should there<br />

appear on the surface oily lines in the direction<br />

of the dip, the surface is not sufficiently coated<br />

<strong>and</strong> should again be placed in the bath ; <strong>and</strong> if<br />

necessary <strong>to</strong> hasten the action of the bath, the<br />

plate may ])e moved about a few seconds, when <strong>it</strong><br />

will be found <strong>to</strong> have become smoothly <strong>and</strong> evenly<br />

coated. It may now be taken from the dipper<br />

<strong>and</strong> placed in the plate-holder or shield, after<br />

<strong>it</strong> has been held over the bath long enough <strong>to</strong><br />

allow the surplus solution <strong>to</strong> run ^off. <strong>The</strong> plate-<br />

holder is now <strong>to</strong> be taken <strong>to</strong> the camera st<strong>and</strong><br />

<strong>and</strong> placed in <strong>it</strong>s appropriate rest, until the pose<br />

of the s<strong>it</strong>ter can be made <strong>and</strong> the proper illumina-<br />

tion secured. For directions as <strong>to</strong> the illumina-<br />

tion pos<strong>it</strong>ion, etc., etc., I would direct the reader<br />

<strong>to</strong> the chapter under that head on page 171.<br />

It is proper, prior <strong>to</strong> seating the subject, <strong>to</strong><br />

ask if there is any favor<strong>it</strong>e pos<strong>it</strong>ion or style which<br />

would be preferred. If not, <strong>it</strong> devolves on the<br />

artist <strong>to</strong> decide as <strong>to</strong> the proper size of the head,<br />

the portion of the figure <strong>to</strong> be taken, the best<br />

view of the face, the best illumination <strong>to</strong> bring<br />

out good points <strong>and</strong> <strong>to</strong> hide defects, <strong>and</strong> <strong>to</strong> devise

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