The ferrotype and how to make it - The Grian Press
The ferrotype and how to make it - The Grian Press
The ferrotype and how to make it - The Grian Press
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
THE COLLODION PROCESS. 105<br />
firm <strong>and</strong> dry enough (by the evaporation of ether<br />
from the surface,) <strong>to</strong> bear the <strong>to</strong>uch of the finger,<br />
w<strong>it</strong>hout flowing over the place <strong>to</strong>uched, <strong>it</strong> is<br />
ready <strong>to</strong> be -immersed in the silver bath, where<br />
<strong>it</strong> is allowed <strong>to</strong> remain about two minutes, or<br />
until the surface has become coated w<strong>it</strong>h iodide<br />
of silver. When <strong>it</strong> is w<strong>it</strong>hdrawn <strong>it</strong> presents a<br />
smooth yellowish wh<strong>it</strong>e appearance. Should there<br />
appear on the surface oily lines in the direction<br />
of the dip, the surface is not sufficiently coated<br />
<strong>and</strong> should again be placed in the bath ; <strong>and</strong> if<br />
necessary <strong>to</strong> hasten the action of the bath, the<br />
plate may ])e moved about a few seconds, when <strong>it</strong><br />
will be found <strong>to</strong> have become smoothly <strong>and</strong> evenly<br />
coated. It may now be taken from the dipper<br />
<strong>and</strong> placed in the plate-holder or shield, after<br />
<strong>it</strong> has been held over the bath long enough <strong>to</strong><br />
allow the surplus solution <strong>to</strong> run ^off. <strong>The</strong> plate-<br />
holder is now <strong>to</strong> be taken <strong>to</strong> the camera st<strong>and</strong><br />
<strong>and</strong> placed in <strong>it</strong>s appropriate rest, until the pose<br />
of the s<strong>it</strong>ter can be made <strong>and</strong> the proper illumina-<br />
tion secured. For directions as <strong>to</strong> the illumina-<br />
tion pos<strong>it</strong>ion, etc., etc., I would direct the reader<br />
<strong>to</strong> the chapter under that head on page 171.<br />
It is proper, prior <strong>to</strong> seating the subject, <strong>to</strong><br />
ask if there is any favor<strong>it</strong>e pos<strong>it</strong>ion or style which<br />
would be preferred. If not, <strong>it</strong> devolves on the<br />
artist <strong>to</strong> decide as <strong>to</strong> the proper size of the head,<br />
the portion of the figure <strong>to</strong> be taken, the best<br />
view of the face, the best illumination <strong>to</strong> bring<br />
out good points <strong>and</strong> <strong>to</strong> hide defects, <strong>and</strong> <strong>to</strong> devise