The ferrotype and how to make it - The Grian Press
The ferrotype and how to make it - The Grian Press
The ferrotype and how to make it - The Grian Press
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142 THE FERROTYPE.<br />
seconds the slide is replaced, the holder w<strong>it</strong>hdrawn<br />
<strong>to</strong> the dark chamber, <strong>and</strong> the plate de-<br />
veloped. This process offered a l<strong>it</strong>tle more cer-<br />
tainty than the former, but was never generally<br />
adopted, although applicable <strong>to</strong> the negative as<br />
well as <strong>to</strong> the pos<strong>it</strong>ive picture.<br />
<strong>The</strong> plan generally adopted, <strong>and</strong> that which is<br />
in use in all the best Ferrotype galleries, is <strong>to</strong> cut<br />
an oval or other su<strong>it</strong>able shaped opening in the<br />
center of a sheet of wh<strong>it</strong>e card-board, the edge<br />
of the opening <strong>to</strong> be serrated or <strong>to</strong>othed, so as <strong>to</strong><br />
cause the ground <strong>to</strong> blend softly w<strong>it</strong>h the por-<br />
tions of the figure <strong>and</strong> drapery. <strong>The</strong> card-board<br />
is commonly placed on a frame (made <strong>and</strong> sold<br />
by s<strong>to</strong>ck dealers for that purpose), <strong>and</strong> being<br />
placed between the s<strong>it</strong>ter <strong>and</strong> the camera, at a<br />
sufficient distance from the camera <strong>to</strong> cause the<br />
proper softening of the outline, the exposure<br />
is made as usual, <strong>and</strong> upon development the<br />
card-board will be found <strong>to</strong> have blended beau-<br />
tifully w<strong>it</strong>h the wh<strong>it</strong>e back -ground, softening the<br />
edges where <strong>it</strong> covers the clothing <strong>and</strong> drapery<br />
of the s<strong>it</strong>ter.<br />
This process has the further recommendation<br />
that many s<strong>it</strong>tings may be made consecutively,<br />
<strong>and</strong> all will be equally good at the same time.<br />
<strong>The</strong> Vignetter may be adjusted <strong>to</strong> produce the best<br />
possible effects, as <strong>it</strong> s<strong>how</strong>s plainly on the object-<br />
glass of the camera. When at the proper dis-<br />
tance from the camera, <strong>and</strong> when s<strong>how</strong>ing the<br />
proper portion of the shoulders, changes may