The ferrotype and how to make it - The Grian Press
The ferrotype and how to make it - The Grian Press
The ferrotype and how to make it - The Grian Press
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124 THE FERROTYPE.<br />
<strong>to</strong> separate <strong>and</strong> <strong>to</strong> test for pur<strong>it</strong>y the various<br />
chemicals <strong>and</strong> solutions used in the pho<strong>to</strong>graphic<br />
atelier. It is necessary that we should under-<br />
st<strong>and</strong> intimately the qual<strong>it</strong>ies of n<strong>it</strong>rate of silver,<br />
<strong>it</strong>s changes under the action of light, <strong>and</strong> <strong>how</strong> <strong>to</strong><br />
facil<strong>it</strong>ate that action, <strong>and</strong> render <strong>it</strong> certain <strong>and</strong><br />
permanent. <strong>The</strong>se <strong>and</strong> a great many more of the<br />
principles of our art we may be perfectly familiar<br />
w<strong>it</strong>h,—tlianks <strong>to</strong> the untiring diligence w<strong>it</strong>h which<br />
researches on those subjects have been conducted<br />
by pho<strong>to</strong>graphic experimentalists, <strong>and</strong> <strong>to</strong> the gen-<br />
eral diffusion of such knowledge in works on<br />
chemistry <strong>and</strong> the current pho<strong>to</strong>graphic publica-<br />
tions, but very l<strong>it</strong>tle is wr<strong>it</strong>ten or said about the<br />
aesthetics of pho<strong>to</strong>graphy. <strong>The</strong> one should have<br />
<strong>and</strong> has been done, but the other should not have<br />
been left luidone.<br />
Pho<strong>to</strong>graphers generally are a wide-awake class,<br />
<strong>and</strong> know the importance <strong>and</strong> necess<strong>it</strong>y of study,<br />
<strong>and</strong> they undoubtedly <strong>make</strong> good use of the ad-<br />
vantages they possess in acquainting themselves<br />
w<strong>it</strong>h the exigencies of the s<strong>it</strong>uation ; <strong>it</strong> is, there-<br />
fore, reasonable <strong>to</strong> suppose that had they pos-<br />
sessed equal advantages for the study of illumina-<br />
tion <strong>and</strong> the pose, the artistic helps <strong>to</strong> our art, as<br />
they have had for that which relates <strong>to</strong> the more<br />
scientific portions, there would have been a sooner<br />
awakening <strong>to</strong> the fact that every effort has been<br />
put forth seemingly w<strong>it</strong>h a view <strong>to</strong> <strong>make</strong> pho-<br />
<strong>to</strong>graphy equivalent <strong>to</strong> an exact science; that is,<br />
a pho<strong>to</strong>graphy of arb<strong>it</strong>rary rules <strong>and</strong> laws, rather